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19441. The International Dimensions of Authoritarian Legitimation: The Impact of Regime Evolution

Author:
Bert Hoffmann
Publication Date:
12-2011
Content Type:
Working Paper
Institution:
German Institute of Global and Area Studies
Abstract:
While traditional theories of legitimacy have focused on the nation-state, authoritarian regimes and democracies alike seek legitimation not only in the domestic realm but also from international sources. This paper argues that the degree to, and the form in, which they do so depend on the regime's origins, characteristics, and evolution, rather than being mere consequences of changes in the international context. Empirically, the paper draws on the case of the Cuban regime since the 1959 revolution. In particular, it analyzes how the regime's transition from a charismatic to a bureaucratic model of state socialism in the post-Fidel succession era led to a reconfiguration in the regime's legitimation strategy, wherein it has greatly downsized its once expansive international dimensions.
Topic:
Government and Political Theory
Political Geography:
Cuba, Latin America, and Caribbean

19442. Brčko Unsupervised

Publication Date:
12-2011
Content Type:
Policy Brief
Institution:
International Crisis Group
Abstract:
It is time to close international supervision of Bosnia's Brčko District. Once seen as a model of post-war reconciliation and good government, it is drowning in corruption and mismanagement that flourished despite its supervisors' best efforts. The territory is vital to Bosnia and Herzegovina (BiH)'s stability: it links the two halves of both Republika Srpska (RS) and the BiH Federation (FBiH), and belongs technically to both entities but is independently governed and multi-ethnic. Many of its former leaders are under suspicion in a corruption probe that may have only scratched the surface; several high profile development projects are collapsing in bankruptcy and litigation. RS has a strong influence on the district but is not threatening to undermine its status. Nevertheless, the international community should ensure that Serb leaders of that entity are left in no doubt that any move to take Brčko over would meet a strong reaction. Stability is now dependent on whether local politicians, law enforcement and the judiciary can take responsibility. International supervision is no longer helping, and a new strategy is needed.
Topic:
Conflict Resolution, Security, Government, and Politics
Political Geography:
Bosnia, Herzegovina, and Balkans

19443. Politics Prevail in EU Enlargement

Author:
Julie Herschend Christoffersen
Publication Date:
12-2011
Content Type:
Policy Brief
Institution:
Danish Institute for International Studies
Abstract:
On 9 December 2011, the European Council will discuss Serbia as a future member of the EU. Serbia has come a long way in the past ten years, and the captures of alleged war criminals in recent years have underlined the commitment to a European future on the part of the Serbian government. However, Kosovo remains a serious obstacle for Serbia's EU dreams, as the latest developments in the region have demonstrated. The internal division of the EU on the issue complicates the matter further. Once again, politics prevails in EU enlargement. This DIIS Policy Brief focuses on some of the underlying dynamics of the EU enlargement.
Topic:
Conflict Resolution, Democratization, and Human Rights
Political Geography:
Europe and Balkans

19444. The Non-Western Challenger? The Rise of a Sino-Centric China

Author:
Andreas Bøje Forsby
Publication Date:
12-2011
Content Type:
Working Paper
Institution:
Danish Institute for International Studies
Abstract:
What are the implications of China's rapid rise for international order? This report seeks to answer the question from an identity perspective. The key argument is that China is currently undergoing an identity shift towards Sino-centrism, that is, a self-centering tendency to turn narrative attention towards the internally generated, specifically Chinese hallmarks associated with China's civilizational past and cultural heritage.
Topic:
International Relations, Security, Foreign Policy, and Culture
Political Geography:
China and Israel

19445. The American Right, the Purpose of Government, and the Future of Liberty

Author:
Craig Biddle
Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Now that the 2012 GOP presidential nominee is almost certain to be either Mitt Romney or Newt Gingrich (who, in terms of policy and lack of principle, are practically indistinguishable), many on the right are turning their attention to the 2012 Senate races. And they are wise to do so. In the 2010 midterm elections, Republicans gained control of the House but failed to secure a majority in the Senate, leaving Democrats with 53 of 100 seats. Of the 33 Senate seats up for election in 2012, 21 are held by Democrats, 2 by independents. Republicans are likely to retain control of the House, and if they manage to gain control of the Senate as well, they will have the opportunity to repeal Obama Care, Dodd-Frank, and other disastrous laws and regulations, and to begin cutting federal spending. These are crucial short-term goals. But if we want to return America to the free republic it is supposed to be, we must do more than campaign and vote for Republicans. We must embrace and advocate the only principle that can unify our political efforts and ground them in moral fact. That principle pertains to the purpose of government. Government is an institution with a legal monopoly on the use of physical force in a given geographic area. What is the proper purpose of such an institution? Why, morally speaking, do we need it? The proper purpose of government is, as the Founding Fathers recognized, to protect people's inalienable rights to life, liberty, property, and the pursuit of happiness. Government fulfills this vital function, as Ayn Rand put it, by banning the use of physical force from social relationships and by using force only in retaliation and only against those who initiate its use. Insofar as an individual respects rights—that is, insofar as he refrains from assault, robbery, rape, fraud, extortion, and the like—a proper government leaves him fully free to act on his own judgment and to keep and use the product of his effort. Insofar as an individual violates rights—whether by direct force (e.g., assault) or indirect force (e.g., fraud)—a proper government employs the police and courts as necessary to stop him, to seek restitution for his victims, and/or to punish him. Likewise for international relations: So long as a foreign country refrains from using (or calling for) physical force against our citizens, our government properly leaves that country alone. But if a foreign country (or gang) attacks or calls for others to attack us, our government properly employs our military to eliminate that threat. As Thomas Jefferson summed up, a proper government “shall restrain men from injuring one another, shall leave them otherwise free to regulate their own pursuits of industry and improvement, and shall not take from the mouth of labor the bread it has earned. This is the sum of good government.”In order to begin moving America toward good government, we must explicitly embrace this principle, and we must demand that politicians who want our support explicitly embrace it as well. To do so, however, we must understand what the principle means in practice, especially with respect to major political issues of the day, such as “entitlement” programs, corporate bailouts, “stimulus” packages, and the Islamist assault on America. . . .
Topic:
Government and Islam
Political Geography:
America

19446. The Assault on Abortion Rights Undermines All Our Liberties

Author:
Ari Armstrong and Diana Hsieh
Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Surveys the expanding efforts to outlaw abortion in America, examines the facts that give rise to a woman's right to abortion, and shows why the assault on this right is an assault on all our rights
Topic:
Economics and Government
Political Geography:
America

19447. The Patience of Jobs

Author:
Daniel Wahl
Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
In 1997, John Lilly went to hear Steve Jobs speak in Building 4 of Apple's headquarters, taking a seat in the auditorium among many of his colleagues. Credit: Matthew Yohe “It was a tough time at Apple,” he remembers. “[W]e were trading below book value on the market—our enterprise value was actually less than our cash on hand. And the rumors were everywhere that we were going to be acquired.” But Jobs seemed excited. He told the employees gathered there that they were going to turn around the company. He told them why he thought the company “sucked” and why in the future it would be great. Then someone asked about Michael Dell's suggestion that Apple shut down and return its cash to shareholders. “Fuck Michael Dell,” replied Jobs. Lilly was flabbergasted. Jobs continued: “If you want to make Apple great again, let's get going. If not, get the hell out.” While Jobs was alive, few people thought of him as a patient man. Indeed, his own biographer concluded that “patience was never one of his virtues,” and there were understandable grounds for this view. Lilly recalls, for example, that soon after Jobs returned to Apple he made clear that he would not put up with any employee who was not with him and his vision for the company. One of the struggles we were going through when he came back was that Apple was about the leakiest organization in history—it had gotten so bad that people were cavalier about it. In the face of all those leaks, I remember the first all-company email that Steve sent around after becoming interim CEO . . . [H]e talked in it about how Apple would release a few things in the coming week, and a desire to tighten up communications so that employees could know more about what was going on—and how that required respect for confidentiality. That mail was sent on a Thursday; I remember all of us getting to work on Monday morning and reading mail from Fred Anderson, our then-CFO, who said basically: “Steve sent [an email] last week, he told you not to leak, we were tracking everyone's mail, and [four] people sent the details to outsiders. They've all been terminated and are no longer with the company.” This was just a single instance of Jobs showing an “intolerance or irritability with anything that impedes or delays”—the dictionary definition of impatience. But there were countless others, and although Jobs's intolerance may have shocked employees new to Apple, it didn't surprise those who remembered how Jobs had acted in earlier years. Back then, Jobs was also famously unwilling to put up with anyone who was not actively adding to the creation of products he envisioned and wanted to use. Then, too, he didn't want to waste his time on anything that was of secondary importance to him—and he didn't want people on his payroll wasting their time on such things either. . . .

19448. An Interview with Still-Life Painter Linda Mann

Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
I recently spoke with Linda Mann about how she became a painter, the nature of still lifes, and how she makes pumpkins so intriguing. This interview includes images of several of her paintings. Her full portfolio, including details of the paintings found herein, can be seen at her website, www.lindamann.com, or by appointment. —Craig Biddle Craig Biddle: Linda, thank you for taking time away from the canvas to chat with me about your work. Linda Mann: It's my pleasure. CB: Having tried my hand at painting, I've concluded that great painters fall into the same category as great pianists. They're superhuman. LM: [Laughing] CB: Seriously, though, creating beautiful, engaging, fascinating works on canvas is an extremely difficult process, and I have several questions about it in relation to your work. But let me begin with a few preliminaries. How and when did you become an artist? LM: In some ways, I've always been an artist. Ever since I can remember, I've been drawing and painting—before I even really knew what being an artist meant. I took great pleasure in drawing everything around me—there were never enough paper and pencils for me! In school, I took all the art classes I could and thought I would pursue a career as an artist. But in high school I became discouraged, because what was being taught was largely modern or abstract art. I didn't understand the point of it and began to think that if that was art, that wasn't what I had in mind. When it came time for me to decide what to study in college, after much debating, I chose industrial design instead of art. It seemed to combine aesthetics and the rationality that I found utterly lacking in modern art. Soon after I got my degree, however, I discovered that I actually wasn't that good at it because my heart wasn't really in it. Over the years, I went from one design field to another—from industrial design to interior design to graphic design. I was always dissatisfied. Finally, I ended up in fashion design. While I was sketching costumes at a museum exhibit one afternoon, it struck me how much I'd always loved to draw. That was where my heart was. At that moment I decided to pursue fine arts again. I thought I could figure out a way to avoid the modern art that so discouraged me. I took some classes at the San Francisco Academy of Art and then, after I moved to Seattle, at The Academy of Realist Art. I studied off and on there, taking classes in traditional drawing and painting techniques, anatomy, and portraiture. Most of my learning was actually done studying old art technique books from the turn of the last century. I found that the majority of recent art textbooks were emphasizing modern art and not the classical methods that I wanted to learn. CB: So before you turned back to fine art, you designed fashion? Did you create any designs that went to market? LM: No, I didn't get that far. I was studying pattern-making, draping, sewing, and illustration. I had not gotten so far as to actually produce anything. CB: So that was school only, not a career spell. LM: Exactly. CB: Given the various kinds of paintings that an artist might choose to create—portraits, figures, landscapes, seascapes, cityscapes, and so on—why have you chosen to focus on still lifes? What's so great about still lifes, as it were? LM: Something about still lifes is very intimate. Everybody is familiar with a tabletop with things on it—it's right in front of you. Landscapes are the world at large, out there; a portrait is involved with a person's character, and complex issues of psychology, which aren't what I'm mostly interested in. In a still life, the focus is on light and how we see. In this way, still-life painting seems to be more about epistemology than any other kind of painting. It says, “The world exists and I can know it.” A still life is like a little world more than any other kind of painting. It suits me to be able to contemplate this piece of my world in front of me—and it's available for study because it's up close and personal. . . .

19449. Sanctum Sanctorum: The National Gallery of Art in Washington, D.C.

Author:
Lee Sandstead
Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Author's note: An extensive gallery of original photography of the National Gallery of Art and its superb collection can be found here. If, like me, you hold that art is a necessity of ardent living, then experiencing art is one of the most crucial aspects of your life. And just as food is not meant only to be looked at in magazines but eaten—so too paintings and sculptures are not meant merely to be looked at in books, but devoured in person. This requires visiting museums, where most great art is housed. Photo credit: Lee Sandstead My favorite museum, after years of travel and thousands of hours spent in museums, is the West Building of the National Gallery of Art (NGA) in Washington, D.C. Although there are larger museums with bigger collections—most notably the Metropolitan Museum of Art in New York City—the NGA has a first-rate collection, a top-notch preservation policy, and a spectacular architectural setting. In America, museums on the East Coast have the strongest collections. Those such as the NGA, Met, and Museum of Fine Arts (MFA), Boston—recipients of the generosity of America's 19th- and early-20th-century collector-industrialists—contain the largest, most-diverse group of masters and masterpieces. Museum collections in the western and southern parts of the country tend to consist more of second-tier artists and artworks. The J. Paul Getty Museum in Los Angeles, for instance, is a well-endowed museum with a large but relatively weak collection. It has no original Vermeers, merely a copy of one. Likewise, its A Young Girl Defending Herself Against Eros is not the original by 19th-century master William Bouguereau, but rather a much smaller reproduction done mostly by his assistants. Although the Getty does have a Raphael, it is a minor, early portrait, rather than one of his celebrated Madonnas. The museum's Canaletto is not one of his giant panoramas of Venice, but a minor painting of the Arch of Constantine. By contrast, the NGA has four Vermeers, five Raphaels, and nine paintings by Sir Peter Paul Rubens; no West-Coast museum comes close to having masterworks on this scale. Leonardo da Vinci, Ginevra de' Benci, ca. 1474/1478. Housed at the NGA, this is the only painting by da Vinci in the United States. Although only in his early twenties when he painted Ginevra de' Benci, Leonardo was at his innovative best in this painting, placing the sitter in an outdoor setting, positioning the body in a three-quarter pose, and using a new medium—oil painting. Photo credit: Lee Sandstead. Created by an act of Congress in 1937, the NGA was formed largely from the donated collections of Andrew Mellon and Samuel Kress, and it features a robust collection of Renaissance, Baroque, rococo, neoclassical, Romantic, and American art. It houses the only painting by Leonardo da Vinci in the United States and important works of several masters, including Rembrandt, Boucher, Fragonard, David, and Bierstadt. . . .
Political Geography:
Uganda, United States, and Washington

19450. 2011 Essay Contest Winner: "'Dog Benefits Dog': The Harmony of Rational Men's Interests"

Author:
Antonio Puglielli
Publication Date:
12-2011
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Responds to the prompt: In Atlas Shrugged, Ayn Rand dramatizes the principle that "there are no conflicts of interest among rational men, men who do not desire the unearned . . . men who neither make sacrifices nor accept them." Elucidate and concretize this principle using examples from both Atlas and real life.
Topic:
Government