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2. The Role of Official News Releases of the Korean Ministry of Culture, Sports, and Tourism in the Success of the Korean Wave
- Author:
- Jisung Yoo
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- This study investigates the South Korean government’s role in the success of the Hallyu [Korean Wave] and the growing global interest in Korean popular culture by examining official news releases on Hallyu issued by the Korean Ministry of Culture, Sports, and Tourism from 2007 to 2017. The author argues that the domestic news releases had a supporting role for artists and cultural products in South Korea; they didn’t directly contribute to Korean industrial economic growth. In contrast, the international news releases tended to play a leading role in promoting Korea’s positive image; they contributed to Korea’s industrial economic growth by means of cultural diplomacy and soft power. Statistical analyses were conducted to determine whether a significant relationship exists between domestic news releases and industrial economic growth. To provide evidence of the Korean Ministry of Culture, Sports, and Tourism’s leading role in promoting artists and cultural products abroad, the author examined and qualitatively analyzed English, Chinese, and Japanese language news releases. The findings revealed that the number of releases had no significant relationship with increased annual economic growth, which seems to come from the power of Hallyu itself, not the government’s support. The qualitative analysis shows that international releases were used as a tool to achieve foreign policy goals and advance a positive national image. This study contributes to the growing literature on Hallyu by discussing the dual role of official news releases.
- Topic:
- Government, Culture, Soft Power, popular culture, and Cultural Diplomacy
- Political Geography:
- South Korea, Korea, and Global Focus
3. How K-pop Broke the West: An Analysis of Western Media Coverage from 2009 to 2019
- Author:
- Jenna Gibson
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- Over the last decade, Western publics have gradually caught on to the Kpop phenomenon; the Korean Wave has arrived on European and North American shores and shows no signs of receding. Heightened interest has corresponded with increased mainstream media coverage, both among news and entertainment outlets. This article analyzes mainstream media coverage of the Korean Wave from 2009 to 2019, including an examination of overall trends in K-pop framing over time. This analysis suggests that coverage of K-pop in Western media has proceeded through four distinct stages of development: 1) Introductory Stage, 2) Gangnam Style Stage, 3) Korean Wave Stage, and 4) Mainstreaming Stage. This article also examines how the changing portrayal of K-pop for general audiences has corresponded with a similar evolution in portrayals of South Korea and Korean society as a whole.
- Topic:
- Media, News Analysis, Soft Power, Music, and popular culture
- Political Geography:
- Asia, South Korea, and United States of America
4. The U.S. Adaptation of Korea’s Unscripted Format in the New Korean Wave Era: A Case Study of Grandpas Over Flowers
- Author:
- Dal Yong Jin and Ju Oak Kim
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- The Korean unscripted format has recently reshaped media flows and practices on a global scale. This article, based upon a comparative analysis of Grandpas Over Flowers (tvN) and Better Late Than Never (NBC), explores how the Korean broadcasting industry has attracted Western broadcasting providers with its travel-based reality format, and how an American television network has produced its own version, negotiating the local specificity that the original series contained. Certainly, cultural differences in media production between the two societies are largely embedded in the localizing process. While Grandpas Over Flowers was dependent upon the long-standing friendship between veteran actors and their public images as fathers and grandfathers within society, Better Late Than Never employs veteran entertainers’ professional successes as the driving force for adventuring into exotic cultures in East Asia. This article claims that the Grandpas Over Flowers case evokes a new phase of the Korean Wave phenomenon, revealing a non-Western media player’s attempt at challenging the domination of United States and United Kingdom television formats in the global media industries.
- Topic:
- Mass Media, Culture, Media, and popular culture
- Political Geography:
- Asia, South Korea, North America, and United States of America
5. Staging Hallyu: K-Pop and K-Drama Reimagined in Asian American Theater
- Author:
- Jieun Lee
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- In the midst of a worldwide fascination with Hallyu, South Korea’s cultural products, the popularity of K-pop and K-drama has soared to unprecedented levels. In New York City, Korean American playwright Jason Kim’s Off-Broadway musical KPOP (2017) brought K-pop music and dance to the stage. In the Twin Cities, a Hmong American playwright May Lee-Yang set her play, The Korean Drama Addict’s Guide to Losing Your Virginity (2018), within her Hmong ethnic background, as a romantic satire and homage to K-drama. While both plays function superbly as theatrical entertainment, I argue that these works serve as critical investigations into the methods of creating and disseminating K-pop and K-drama. Both theater pieces bring up issues of racial, gender, sexual, national, and ethnic identities as they reimagine Hallyu in North America and assess its impact on Asian America.
- Topic:
- Culture, Ethnicity, Identities, Music, popular culture, and Theater
- Political Geography:
- Asia, South Korea, and United States of America
6. Pop culture with a purpose: Violence against women in Bangladesh
- Author:
- Conor Molly
- Publication Date:
- 10-2016
- Content Type:
- Working Paper
- Institution:
- Oxfam Publishing
- Abstract:
- Violence against women and adolescent girls is a systemic and ingrained problem in Bangladesh. Oxfam Novib worked with a group of local partners in Bangladesh, including BRAC, WECAN, HASAB and Rupantur, to address the problem in the Khulna Division through an intervention strategy centered on the utilization of edutainment methodologies. The project combined interactive, high quality modern communications tools, including televised docudramas and public service commercials, and traditional edutainment, such as street theatre, together with targeted and more intense school and community interventions in 10 select locations in the Khulna Division. As a result, more than 3,000 students (60 percent were girls) and 3,000 parents reported changing their values and attitudes towards sexual violence against adolescents. Through a mass campaign, the project reached approximately 500,000 people across the Bangladesh.
- Topic:
- Communications, Culture, Social Movement, and popular culture
- Political Geography:
- Bangladesh, South Asia, and Asia
7. Landscapes of Aspiration in Guangzhou’s African Music Scene: Beyond the Trading Narrative
- Author:
- Roberto Castillo
- Publication Date:
- 12-2015
- Content Type:
- Journal Article
- Institution:
- German Institute of Global and Area Studies
- Abstract:
- This article is an exploration into the personal aspirations that converge in Guangzhou’s African music scene. I argue that despite being often traversed, articulated, fuelled, and constrained by econ- omies and economic discourses, aspirations are not necessarily eco- nomic or rational calculations. I contend that the overarching trading narrative about “Africans in Guangzhou” has left little space for issues of agency, emotion, and aspiration to be considered in their own right. Drawing on a year of continuous ethnographic fieldwork, I show how aspirations are crucial arenas where the rationales behind transnational mobility are developed, reproduced, and transmitted. Indeed, aspira- tions can be thought of as “navigational devices” (Appadurai 2004) that help certain individuals reach for their dreams. By bringing the analysis of aspirations to the fore, I intend to provide a more complex and nuanced landscape of the multiple rationales behind African presence in Southern China; promote a better understanding (both conceptually and empirically) of how individuals navigate their social spaces and guide their transnational journeys; and draw attention to the incessant frictions and negotiations between individual aspirations while on the move and the constraints imposed by more structural imperatives.
- Topic:
- Culture, Music, and popular culture
- Political Geography:
- Africa, China, and Asia