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1. Coronavirus in the Arab World

Author:
Haizam Amirah-Fernandez
Publication Date:
02-2021
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
The COVID-19 pandemic is shaking Arab countries hard at a time when the region is already under great pressure. The responses of Arab states to the threat of the coronavirus, added to the uncertain international context generated by the pandemic, is aggravating existing problems in the Middle East and the Maghreb. This current global emergency and its ramifications has the potential to turn socioeconomic challenges into political crises and intensify demands for change that have spread through multiple countries in the region over the past decade. Until an effective vaccine against the pandemic is made available and widely accessible, the economic and social costs of the drastic restrictions being imposed by Arab governments during the successive waves of the pandemic may be overwhelming and, ultimately, unbearable.
Topic:
Politics, Arts, Culture, COVID-19, and Demonstrations
Political Geography:
Middle East, Arab Countries, and North Africa

2. Ensuring Respect for Indigenous Cultures: A Moral Rights Approach

Author:
Brigitte Vézina
Publication Date:
05-2020
Content Type:
Working Paper
Institution:
Centre for International Governance Innovation
Abstract:
From commercials to movies to fashion, Indigenous artworks have been misused in ways that are offensive to the artists who created them and disrespectful of the cultures that inspired them. Using Indigenous traditional cultural expressions (TCEs) without acknowledging their sources or providing financial compensation to the artists undermines the TCEs' traditional value and amounts to cultural theft. This paper looks at protecting TCEs using copyright's moral rights approach, which provides intellectual property protection based on acknowledgement, respect and integrity.
Topic:
Arts, Intellectual Property/Copyright, Culture, and Indigenous
Political Geography:
Canada and North America

3. We Have No Role But to Bear Witness

Author:
Itamar Rabinovich
Publication Date:
06-2020
Content Type:
Working Paper
Institution:
Moshe Dayan Center for Middle Eastern and African Studies
Abstract:
In this latest edition of Tel Aviv Notes, Itamar Rabinovich examines the role of Syria's cultural and artistic community in the ongoing Syrian crisis.
Topic:
Arts, Culture, and Syrian War
Political Geography:
Middle East and Syria

4. The Art of Resistance in the Palestinian Struggle Against Israel

Author:
Eray Alim
Publication Date:
06-2020
Content Type:
Journal Article
Journal:
Turkish Journal of Middle Eastern Studies
Institution:
Turkish Journal of Middle Eastern Studies
Abstract:
This manuscript aims to assess Palestinian street art’s effectiveness as a resistance tool and political instrument in the struggle waged against Israel. It concludes by employing Bourdieu’s concept of symbolic power that Palestinian street art is an effective instrument on account of its ability to instill in Palestinian collective consciousness as a sense of resistance. By utilizing Mouffe’s definition of politics as being a constant struggle between hegemonic and counter hegemonic forces, this work also holds that street art serves Palestinians as a means to reaffirm their political existence and develop an alternative political imagination against the Israeli-imposed reality. This manuscript also broaches the oft-discussed issue of visual diversity in Palestinian street art scene and concludes that eclectic content may serve as a contributive force, if the counter hegemonic character of Palestinian street art is adhered to.
Topic:
Arts, Culture, Hegemony, and Resistance
Political Geography:
Middle East, Israel, and Palestine

5. Interview with Sultan Sooud Al Qassemi

Author:
Sarah Mousa
Publication Date:
01-2020
Content Type:
Journal Article
Journal:
Harvard Journal of Middle Eastern Politics and Policy
Institution:
The John F. Kennedy School of Government at Harvard University
Abstract:
Sultan Sooud Al Qassemi is a United Arab Emirates–based columnist and researcher of social, political, and cultural affairs in the Arab Gulf States. Sultan rose in prominence during the Arab Spring when his tweets became a major news source, rivaling news networks at the time, until TIME Magazine listed him in the “140 Best Twitter Feeds of 2011.” In 2018, Sultan ranked 19th on the Arabic Thought Leader Index by Swiss think-tank Gottlieb Duttweiler Institute. Sultan was an MIT Media Lab Director’s fellow from 2014 to 2016, and in the spring of 2017, he was a practitioner in residence at the Hagop Kevorkian Center of Near East Studies at New York University, where he offered a special course on politics of Middle Eastern art. Sultan is currently conducting research for a book that documents the modern architecture of the city of Sharjah in the UAE. In 2010, Sultan established the Barjeel Art Foundation that aims to contribute to the intellectual development of the art scene in the Arab region by building an extensive and publicly accessible art collection. In 2018, 100 works from the collection were hosted on a long-term basis at the Sharjah Art Museum.
Topic:
Arts, Social Movement, Arab Spring, and Interview
Political Geography:
Gulf Nations

6. The Pavements Don't Speak: Silencing Street Theatre in Egypt

Author:
Yasmin Helal
Publication Date:
12-2020
Content Type:
Working Paper
Institution:
Arab Reform Initiative (ARI)
Abstract:
Although street theatre succeeded in establishing itself as an artistic genre in Egypt in the 2000s, the rising restrictions on freedom of expression and assembly have forced street performers to silence in recent years. Through a series of interviews with artists, this paper addresses the factors that enabled the rise of street theatre, the process of politicization of some of its pioneers, as well as the causes that led to its fall.
Topic:
Arts, Culture, Freedom of Expression, and Theater
Political Geography:
Africa and Egypt

7. Creativity at the Service of Social Mobilization in Chile

Author:
Iraida H. López
Publication Date:
12-2019
Content Type:
Commentary and Analysis
Institution:
The North American Congress on Latin America (NACLA)
Abstract:
Artistic expression is not only central to the protests in Chile—it's part of a long national tradition of resistance.
Topic:
Arts, Social Movement, Protests, and Music
Political Geography:
Latin America and Chile

8. Olafur Eliasson, Multimedia Artist

Author:
Olafur Eliasson
Publication Date:
09-2019
Content Type:
Video
Institution:
Columbia University World Leaders Forum
Abstract:
Renowned Danish-Icelandic visual artist Olafur Eliasson’s large-scale works such as Ice Watch and New York City Waterfalls spark critical dialogue about climate change and our relationship to nature. His work is driven by interests in perception, movement, embodied experience, and feelings of self, engaging the broader public sphere through architectural projects, interventions in civic space, arts education, policy-making, and issues of sustainability.
Topic:
Climate Change, Environment, Arts, and Culture
Political Geography:
New York and Iceland

9. Pakistani Tile Mosaic Work: A Remarkable Ornamentation in the Contemporary Mosques of South Asia

Author:
Samina Nasim
Publication Date:
07-2019
Content Type:
Journal Article
Journal:
South Asian Studies
Institution:
Department of Political Science, University of the Punjab
Abstract:
Classical architectural decorative technique such as mosaic work has been practiced in all over the world. Buildings are carefully designed to reflect the character and tradition of the region. In present research an attempt has been made to explain the significance of tile mosaic work with traditional motives and stylized conceptual representation in contemporary mosques of Punjab, Pakistan. The mosques present traditional and modern phase of decoration in Pakistan with aesthetic values. The study explains geometrical designs and stylized symbolic interpretation through the tile work of contemporary mosques of Pakistan. Conceptual, symbolic and abstract representation of mosaic work of Faisal Mosque Islamabad, arabesque and islimi designs of Ali Hajvery Data Darbar Mosque Lahore, geometrical designs and their significance in Jami„ Mosque Defence Lahore, Bahria Town Mosque and Masjid al-Habib Lahore Cantt, are the major areas covered in the paper.
Topic:
History, Arts, Culture, Material Culture, and Architecture
Political Geography:
Pakistan, South Asia, and Punjab

10. Representation of Women in Postcolonial Literature in Pakistan

Author:
Rukhsana Yasmeen and Muhammad Iqbal Chawla
Publication Date:
07-2019
Content Type:
Journal Article
Journal:
South Asian Studies
Institution:
Department of Political Science, University of the Punjab
Abstract:
This article attempts to explores, investigate and analyzes the postcolonial Urdu writings on the Pakistani women‟s participation in the socio-economic, religious and political arena. Urdu literature is spread all over the subcontinent and there are no borders in literature that can split it into two. This article would like to discuss literature mainly produced by Pakistani writers. However, while arguing that most literature has been written from a patriarchal viewpoint throughout the history, two main themes dominated the postcolonial literature firstly, role of women in the patriarchal society and other, the trauma of migration and its impact on the Muslim women in Pakistan. Islamic influence enforced purdah on Muslim women and purdahless women were regarded as infidel and shameless in literature. Nineteenth century Muslim writers advocated modern education for women not with the idea of emancipation but with a view to creating the modern wife, sister and mother. In this context, we can see that Allama Rashid-ulKhairi's modernist writings which were apparently sympathetic to women, were in fact meant to strengthen existing gender arrangements. The Progressive Writers‟ Movement brought about some change in the representation of women and the family, for example, Sajjad Haider Yaldram, Azeem Baig Chughtai and Ismat Chughtai depicted the negative side of the patriarchal society in which women were being exploited. The horror and trauma of partition enabled writers like Saadat Hasan Manto to highlight contradictions within the apparently monolithic institution of the family. Aziz Ahmad and Qurat-ul-Ain Haider also poignantly painted the picture of disintegrated lives and the anguish of exile. This article also demonstrates that male domination is consolidated through binary constructions of good women and bad women in society. This has been a continuation of nineteenth century notions of Muslim womanhood most clearly portrayed in Deputy Nazeer Ahmad's novel Mirat-ul-Uroos. The article will encompass the representation of women in Urdu literature during post-independence Pakistan. The influence of patriarchal mindset of the society on literature will also be discussed
Topic:
Post Colonialism, Arts, Women, Representation, and Literature
Political Geography:
Pakistan, South Asia, and Punjab