141. Neither Mountain Nor Marketplace: Placing the Buddhist Nun in Contemporary Korean Literature
- Author:
- Hyangsoon Yi
- Publication Date:
- 03-2002
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- Despite its distinct presence in Korean society for nearly one and a half millennia, the world of Buddhist nuns has remained closed to the "gaze" of outsiders. Even the hagiographies on renowned nuns are available to the public only in snippets and mostly as legends. The dearth of serious treatments of Buddhist nuns in Korean literature thus reflects and at the same time perpetuates the sense of mystery with which the life of a female renunciant is veiled in popular perception. In modern poetry, there is a tendency to lyricize the mystique of the nun, as is illustrated by two well-known poems from the 1930s: Paek Sok's "Yosung" (The Nun); and Cho Chi-hun's "Sungmu" (The Nun's Dance). From the late 1980s, however, the female monastic community has come under increasing scrutiny by a handful of writers and filmmakers, most notably represented by Han Sung-won, Nam Chisim, and Im Kwon-taek.
- Political Geography:
- Korea