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2. Musical Diplomacy: The Eurovision Song Contest in Tel Aviv
- Author:
- Dean Vuletic
- Publication Date:
- 03-2019
- Content Type:
- Special Report
- Institution:
- Georgetown Journal of International Affairs
- Abstract:
- After winning the 2018 Eurovision Song Contest (ESC) with her song “Toy” (inspired by the #MeToo movement), Netta Barzilai issued the declaration, “Next year in Jerusalem!” By using the traditional Jewish phrase, she was suggesting that the 2019 ESC would be held in that city.
- Topic:
- Diplomacy, Culture, and Music
- Political Geography:
- Europe, Middle East, and Israel
3. How K-pop Broke the West: An Analysis of Western Media Coverage from 2009 to 2019
- Author:
- Jenna Gibson
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- Over the last decade, Western publics have gradually caught on to the Kpop phenomenon; the Korean Wave has arrived on European and North American shores and shows no signs of receding. Heightened interest has corresponded with increased mainstream media coverage, both among news and entertainment outlets. This article analyzes mainstream media coverage of the Korean Wave from 2009 to 2019, including an examination of overall trends in K-pop framing over time. This analysis suggests that coverage of K-pop in Western media has proceeded through four distinct stages of development: 1) Introductory Stage, 2) Gangnam Style Stage, 3) Korean Wave Stage, and 4) Mainstreaming Stage. This article also examines how the changing portrayal of K-pop for general audiences has corresponded with a similar evolution in portrayals of South Korea and Korean society as a whole.
- Topic:
- Media, News Analysis, Soft Power, Music, and popular culture
- Political Geography:
- Asia, South Korea, and United States of America
4. Reversed Ethnography in the Reception of the Korean Wave
- Author:
- Hyeri Jung
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- This paper unravels dynamic interactions between Korean popular culture and its fans in the United States, focusing on how cultural hybridity of the Korean Wave un/consciously facilitates soft power, and what sociocultural implications it might yield in global/international contexts. Employing various theoretical frameworks of globalization, critical/cultural media studies, hybridity, soft power, and fan studies, I take a qualitative methodological approach of what I call a reversed media ethnography: Examining the contraflow of Korean media culture on U.S. fans. I employ various qualitative and interpretive techniques including grounded theory to analyze the rich corpus of data I collected over a period of two years to examine the nature of transcultural media and fans of the Korean Wave in the United States. Overall, the findings of this paper suggest that the complex layers of hybridity embedded in Korean popular culture creates complicated webs of transculturality. The Korean Wave exemplifies strategically well-balanced cultural hybridity that arouses a certain feeling of affinity: Emotional proximity. Korean popular culture evokes continuous negotiations of identities and generates nonthreatening wholesome content that comfortably appeals to American fans with various ethnic, racial, social, and cultural backgrounds. The notion of uriness (we-ness in English), collective unity and solidarity, embedded in Korean popular culture and its fandom culture works as one of the multifaceted soft power in the eyes of American fans that leads to an alternative post-Western soft power. This study contends that it is not the so-called hybridized Korean popular culture per se that makes it transcultural, and global to some extent, but the often under-recognized vital agents in the global sphere: Legions of fans.
- Topic:
- Culture, Soft Power, Ethnography, and Music
- Political Geography:
- Asia, South Korea, North America, and United States of America
5. Staging Hallyu: K-Pop and K-Drama Reimagined in Asian American Theater
- Author:
- Jieun Lee
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- In the midst of a worldwide fascination with Hallyu, South Korea’s cultural products, the popularity of K-pop and K-drama has soared to unprecedented levels. In New York City, Korean American playwright Jason Kim’s Off-Broadway musical KPOP (2017) brought K-pop music and dance to the stage. In the Twin Cities, a Hmong American playwright May Lee-Yang set her play, The Korean Drama Addict’s Guide to Losing Your Virginity (2018), within her Hmong ethnic background, as a romantic satire and homage to K-drama. While both plays function superbly as theatrical entertainment, I argue that these works serve as critical investigations into the methods of creating and disseminating K-pop and K-drama. Both theater pieces bring up issues of racial, gender, sexual, national, and ethnic identities as they reimagine Hallyu in North America and assess its impact on Asian America.
- Topic:
- Culture, Ethnicity, Identities, Music, popular culture, and Theater
- Political Geography:
- Asia, South Korea, and United States of America
6. K-pop Fans’ Reaction Videos and Their Implications for Korean Language Learning
- Author:
- Soojin Ahn
- Publication Date:
- 10-2018
- Content Type:
- Journal Article
- Journal:
- International Journal of Korean Studies
- Institution:
- International Council on Korean Studies
- Abstract:
- As social media platforms such as YouTube have become important access points for Korean popular music (K-pop), international fans have enjoyed recording and sharing their responses to K-pop music videos on social media. In particular, reaction videos have been the most convenient and popular way for many international fans to share their opinions on and reactions to K-pop songs with others. This study aims to investigate the unique characteristics of reaction videos to share K-pop fans’ cultural experiences through YouTube videos and discuss the potential use of such fans’ learner motivation and learning environment for Korean language education. Four YouTube reaction videos were investigated through thematic analysis and through a discourse analysis informed by interactional sociolinguistics. The findings show how the reaction video creators build a community with other fans by establishing familiarity through agreement, considering the audience, and exchanging information, not only about a specific song, but also about K-pop in general and Korean Wave genres. These creators also demonstrated multiliteracies by expressing their opinions and feelings through facial expressions, visuals, and dance. These creators make their reaction videos regularly, proving their long-term enthusiasm for K-pop and the Korean Wave. This research offers important implications for future Korean language education, which will embrace diverse groups of international learners who actively participate in K-pop fan activities online.
- Topic:
- Culture, Social Media, Language, Music, and YouTube
- Political Geography:
- Europe, Asia, South Korea, Korea, and United States of America
7. For the Love of Music
- Author:
- Isabel Roemer
- Publication Date:
- 12-2018
- Content Type:
- Special Report
- Institution:
- Center for Contemporary Arab Studies
- Abstract:
- MAAS alum combines language skills, industry savvy, and a bit of “wasta” to bring Arab musicians to Washington audiences. In 2003, MAAS alum David Chambers (‘88) received a call from the family of the late Munir Bashir, the celebrated Iraqi musician widely regarded as “King of Oud.” Chambers had spent much of the 1990s in the entertainment industry in the Arab world—notably, for the Showtime Arabia satellite TV network. Now back in Washington, D.C., he faced a challenge: how to arrange a gig for Omar Bashir, Munir’s son, in the nation’s capital?
- Topic:
- History, Culture, Higher Education, and Music
- Political Geography:
- Iraq, Middle East, North America, Washington, and D.C.
8. THE OUTSTANDING VIEW OF GLOBALIZATION: ROMAN GAME AIR AS CATEGORY OF WORLD MUSIC
- Author:
- Zeynep Gonca GİRGİN
- Publication Date:
- 02-2018
- Content Type:
- Journal Article
- Journal:
- Alternative Politics
- Institution:
- Department of International Relations, Abant Izzet Baysal University, Turkey
- Abstract:
- The category of world music is a new genre-title created by that latest embodiment of globalization, the glocal (global-local) market in the music industry. The increase in the power of the world music market in late 1980's and the popularization of the Romani musician as an identity in that regard plays an important role in the popularization of the 9/8 Romani dance tune both in Turkey and in the Balkans sound. The Gypsy-Romani themed films in the last quarter century by Emir Kusturica and Tony Gatlif, the Gypsy-Romani music festivals held in Europe and North America, and the increase in the Romani instrumentalist and performer productions in the Balkans popular music market; also, the rise in the scientific and artistic interest in the academia show the emphasis on both the distinctive and the European identity of the Gypsies, while supporting the new political economic conditions. This article critically reviews the popularization process of Turkish Roma musicians and musics in the world music industry via correlation with Balkan territories.
- Topic:
- Globalization, Culture, and Music
- Political Geography:
- Europe, Turkey, Asia, and Balkans
9. FEMALE STEREOTYPES IN LEBANESE CONTEMPORARY SONGS: A CASE STUDY OF TEN SONGS
- Author:
- Roy Jreijiry
- Publication Date:
- 06-2017
- Content Type:
- Journal Article
- Journal:
- Alternative Politics
- Institution:
- Department of International Relations, Abant Izzet Baysal University, Turkey
- Abstract:
- Many studies have shown that popular music is a dynamic medium in the construction of personal and social identities. This study analyses the image of women in ten Lebanese songs produced between 2010 and 2014; each song ranked as big hits. Typical of contemporary popular songs, these songs do not accord to the woman the value of an equal partner of the man. While rarely mentioning the ideas of sharing, exchanging, or reciprocity, they circulate many stereotypes such as the threatened/beaten woman, the housewife won through presents and flattery, the woman under the care of a man, and the woman as an owned and sexual object.
- Topic:
- Gender Issues, Culture, Women, Feminism, and Music
- Political Geography:
- Middle East, Lebanon, and Beirut
10. THE SYRIAN MUSICIANS IN ISTANBUL: THE RELATIONSHIP BETWEEN REPERTOIRE AND STAGE
- Author:
- Hussain hajj
- Publication Date:
- 10-2016
- Content Type:
- Journal Article
- Journal:
- Alternative Politics
- Institution:
- Department of International Relations, Abant Izzet Baysal University, Turkey
- Abstract:
- This article aims to present some notes and findings about the fieldwork that I conducted in Istanbul with Syrian musicians in 2015. The main questions of the research were the identity of the Syrian musicians and the status of Syrian music and musicians in Istanbul. In this article I will first present some details about the musical institutions in Syria and the problems related to “being a musician” and studying music in the era of Al-Baath party ruling. I will add some notes about the Kurdish musicians in Syria. The second section is about Syrian musicians in Istanbul. I will discuss how far they can communicate among each other and with musicians from Turkey, and what are the messages that they try to spread through their music. For this aim, I analyze some musical activities that took place in Istanbul, such as the concerts of the Syrian community, as well as the relationship with the Turkish music of the Syrian alternative media in Turkey. Then, I discuss whether Turkey is seen as a temporary or permanent station by Syrian musicians. Lastly, I will analyze two musical activities and their repertoire that took place in two different stages to show the diversity of Syrian community in Istanbul. Keywords: Syrian refugees, ethnomusicology, musicians, cultural diversit
- Topic:
- Diaspora, Culture, Refugees, and Music
- Political Geography:
- Europe, Turkey, Middle East, Asia, and Istanbul