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2. The politics of hope: a nation’s patience tested
- Author:
- Ali Tehrani and Azadeh Pourzand
- Publication Date:
- 01-2019
- Content Type:
- Journal Article
- Journal:
- Harvard Journal of Middle Eastern Politics and Policy
- Institution:
- The John F. Kennedy School of Government at Harvard University
- Abstract:
- Winter 2019 marked the 40th anniversary of the 1979 Islamic Revolution in Iran. The anniversary celebrations occurred in the midst of a difficult era of socio-economic turmoil, the return ofَ U.S. sanctions, and deepening political infighting in the Islamic Republic. Tensions between the government and the people are especially high. The tectonic plates of social change have been shifting below the surface in Iran over the past two decades, with major discontent erupting in the past year. While the country’s political facade appears largely unchanged, tensions and fragmentations among the ruling elite have deepened. Economic conditions are fast deteriorating for the average citizen, while political repression remains a harsh reality. Iran’s citizens, who have clung to hope and the possibility for change through decades of domestic repression and isolation from the global economy, struggle to remain hopeful. Collective fatigue stemming from years of isolation from the global economy, as well as domestic economic hardship, compounds the disappointment Iranians feel from unfulfilled political promises. The Iranian government has repeatedly failed to carry out promised reforms; in recent years alone, President Hassan Rouhani has proven unable to carry out his promises to “open up Iran politically, ease rigid social restrictions and address human rights abuses.” As this situation continues, Iran risks despair and chaos.
- Topic:
- Government, Politics, Social Movement, Sanctions, Nuclear Power, Reform, Economy, and Memory
- Political Geography:
- Iran and Middle East
3. Artist Q&A
- Author:
- Vicki Valosik and Helen Zughaib
- Publication Date:
- 12-2018
- Content Type:
- Special Report
- Institution:
- Center for Contemporary Arab Studies
- Abstract:
- Helen Zughaib, currently based in Washington D.C., is known for her colorful gouache works that emphasize hope and human dignity, even while depicting themes of mass displacement, political upheaval, and war. Born in Beirut but forced to evacuate during the 1975 civil war, Zughaib spent much of her life in Europe and other parts of the Middle East before coming to the United States to earn her BFA at Syracuse University’s College of Visual and Performing Arts. Her art has been exhibited at museums, galleries, embassies, and in private collections around the world, including at the White House, the Library of Congress, and the World Bank. Zughaib has served as a U.S. State Department Cultural Envoy to Europe and the Middle East and was recently awarded a grant from the D.C. Commission on the Arts and Humanities. In November, she gave a talk at CCAS on her visual documentation of the Arab Spring, after which she shared the following reflections on her work.
- Topic:
- Arts, Culture, Arab Spring, and Memory
- Political Geography:
- Middle East, United States of America, North America, Washington, and D.C.
4. Deconstructing the Topos of Poland as a Jewish Necropolis in Texts by Israeli Authors of the Third Post- Holocaust Generation
- Author:
- Jagoda Budzik
- Publication Date:
- 01-2018
- Content Type:
- Journal Article
- Journal:
- Polish Political Science Yearbook
- Institution:
- Polish Political Science Association (PPSA)
- Abstract:
- The paper aims at recognizing and describing the ways of deconstructing the to- pos of Poland as a Jewish necropolis, a process that in the last decade appears more and more often in the works of Israeli authors of the third generation after the Shoah. The generation concept – as I argue – can serve here as a useful tool for understanding the shift which oc- curred in the specific national context of Israeli Holocaust discourse and strongly influenced the image of Poland in Israeli literature and culture. Poland depicted as a Jewish necropolis has become one of the central motifs present in Israeli literary as well as the artistic canon of Shoah representations. As the central space where the Shoah occurred, Poland was obviously perceived as a land marked by death and formed exclusively by the experience of the Holo- caust. However, in the aftermath of two major shifts that have occurred in the last decades: a meaningful change in the Israeli Holocaust discourse and the new reality of Poland after 1989, and also as a consequence of the growing time distance separating yet another genera- tion from the events themselves, numerous authors born in Israel mostly in the 1970s and in the 1980s began approaching the abovementioned motif critically. This tendency, one of the few typical for the third generation, is demonstrated either through the motif ’s deconstruc- tion and subversive usage or, more radically, by employing the genre of alternate history and changing the place’s identity (e.g. Tel Aviv by Yair Chasdiel). The topos of Poland as a ne- cropolis has therefore been turned into a part – or even a starting point – of the reflection on collective memory patterns (e.g. Kompot. The Polish-Israeli Comic Book), stereotypes (e.g. Bat Yam by Yael Ronen), and on the authors’ own roots and identity (e.g. The Property by Rutu Modan). By analyzing the abovementioned texts, I will explore the process of constant interaction occurring between collective and the individual memory, between the Israeli national perspective and Polish landscapes, between an author and the space and, finally – between the category of the third generation and its representatives themselves.
- Topic:
- Nationalism, Culture, Holocaust, Memory, and Literature
- Political Geography:
- Europe, Middle East, Israel, and Poland