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11. Q&A with Political Cartoonist Khalid Albaih

Author:
Vicki Valosik and Khalid Albaih
Publication Date:
04-2018
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
Khalid Albaih (@khalidalbaih) is a Sudanese artist and political cartoonist born in Bucharest, Romania. Albaih is based in Doha, where he formerly served as Head of Public Art for Qatar Museums Authority. He currently lives and works in Denmark as the ICORN/PEN Artist in Residence for the city of Copenhagen. Albaih’s cartoons, published under the name “Khartoon!”—a play on the words “cartoon” and “Khartoum,” the capital of Sudan—have appeared widely in international publications including The New York Times, The Atlantic, PRI, NPR, and BBC. In addition, Albaih has published social and political commentaries in The Guardian and Al Jazeera, among other places. His work has been exhibited in numerous group and solo exhibitions around the world, from New Delhi and Tokyo, to London, Boston, and Dearborn, to name only a few. Khalid is also the founder of @DohaFashionFridays and cofounder of Khartoum Art & Design Center.
Topic:
Politics, Arts, Internet, Social Media, and Arab Spring
Political Geography:
Middle East and United States of America

12. Quilting the Arabesque

Author:
Grayson Lee
Publication Date:
12-2018
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
When Tighe Flanagan (MAAS ‘12) began quilting, he realized that he could draw inspiration from the decorative art traditions of the Middle East. “The world of quilting and the world of Islamic design and geometric design are natural fits,” says Flanagan. “You see it wherever you find the Islamic Empires of old, where they left their imprint.” Taking his cue from the Arabesque patterns of places like Marrakesh and Al-Hamra, Flanagan translates between two traditional art forms—quilting and mosaics—to sew colorful, geometric quilts based on ancient Islamic designs.
Topic:
Arts, Material Culture, and Islamic Art
Political Geography:
Middle East and Jordan

13. An Untold Story: The Role of Women in Art & Peacebuilding in the Middle East

Author:
Alia Ali, Lulwa Al Khalifa, Helen Zughaib, and Neda Ulaby
Publication Date:
09-2017
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
The Middle East Institute's (MEI) Arts and Culture Program was pleased to host a panel conversation examining the critical role Middle Eastern women play in building more stable and tolerant communities through the lens of the arts. The panel took place in conjunction with programming around I AM, an exhibition of 31 Middle Eastern women contemporary artists from 12 countries, at the American University Museum at the Katzen Arts Center, with a general public opening reception on September 9. Organized by CARAVAN, an international NGO that focuses on building bridges through the arts, the exhibition highlights the role that Middle Eastern women play in their societies and the power of the arts to articulate their ambitions. The panel featured three participating artists and a scholar of women's issues and was moderated by NPR's Neda Ulaby. The panelists drew upon their experiences to challenge common misconceptions about women in the region and explore how the arts can serve as a form of creative and non-violent resistance.
Topic:
Arts, Culture, and Women
Political Geography:
Middle East, Yemen, Lebanon, Bahrain, and United States of America

14. Art and Cultural Production in the GCC

Author:
Center for International and Regional Studies
Publication Date:
01-2017
Content Type:
Working Paper
Institution:
Center for International and Regional Studies: CIRS
Abstract:
In an effort to explore the evolution of the art and cultural scene in the Gulf Cooperation Council (GCC) states, and to understand the complexities of these fields, the Center for International and Regional Studies (CIRS) at Georgetown University in Qatar undertook a two-year research initiative titled “Art and Cultural Production in the GCC.” Artists, cultural administrators, curators, critics, and academics were invited to Doha to attend two separate meetings in which they debated topics of relevance to the GCC’s cultural field. The research culminated in the publication of original studies in a special issue of the Journal of Arabian Studies (September 2017). This project builds on the available literature by contributing towards furthering knowledge on the prevailing issues around art and cultural production in the Gulf.
Topic:
Regional Cooperation, Arts, and Culture
Political Geography:
Middle East, Qatar, Persian Gulf, and Gulf Cooperation Council

15. The Revolution Turns Five: Faculty reflections on the fifth anniversary of the Arab uprisings

Author:
Fida Adely, Michael Hudson, Joseph Sassoon, Noureddine Jebnoun, Marwa Daoudy, Emad El-Din Shahin, and Rochelle A. Davis
Publication Date:
04-2016
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
In this fifth year anniversary of the Arab revolts or “Arab Spring,” we might ask ourselves “what has changed in the region?” Given the conflicts raging in the Arab world as we speak, many have concluded that the revolts failed, or that rather than bringing “progress” they have pushed us back—entrenching authoritarianism, displacing millions, exacerbating sectarian differences, etc. But such conclusions reflect a short view of history and a truncated understanding of change. More troublesome, they can fuel a view of the region as unchanging, stagnant, and even backward.
Topic:
Arts, Culture, Social Movement, Economy, Arab Spring, Youth, Syrian War, Revolution, and Counterrevolution
Political Geography:
Middle East, Libya, Arab Countries, Syria, North America, Egypt, and Tunisia

16. Art and Ecstasy in Arab Music

Author:
A.J. Racy
Publication Date:
12-2010
Content Type:
Working Paper
Institution:
Center for Contemporary Arab Studies
Abstract:
Throughout history, the emotional power of music has concerned philosophers, scientists, educators, moralists, and musicians. Growing up in a small rural village in southern Lebanon, I observed such power first hand. When the mijwiz (a double-pipe reed instrument) was played, traditionally using the technique of circular breathing, I saw the local listeners succumb to the instrument's magic spell. Its irresistible Dionysian ethos seemed to compel them to sing and dance. Some villagers maintained that the mijwiz enabled the shepherds, who often played it, to entrance their goats and make them stand still and listen. As an ethnomusicologist who specializes in music of the Middle East, especially of the Arab world, I have come across other similarly compelling cases of musical transformation. When singers chanted their poetry at medieval Abbasid courts in Baghdad, the listeners, including the caliphs themselves, displayed a variety of strong reactions, including moving their feet, dancing, sobbing, weeping, and tearing their garments—or in some cases listening to the performers attentively and bestowing upon them lavish compliments. Meanwhile, medieval Arabic treatises, which in the ancient Greek tradition often treated music as a science, left us ample writings about music's extraordinary cosmological associations and therapeutic effects. And for the Sufi mystics, music and dance became an integral path to transcendence, or the attainment of spiritual ecstasy.
Topic:
Islam, Arts, and Culture
Political Geography:
Middle East, Arabia, and Lebanon

17. Iraq's Cultural Heritage: Preserving the Past for the Sake of the Future

Author:
Elizabeth Detwiler
Publication Date:
10-2008
Content Type:
Policy Brief
Institution:
United States Institute of Peace
Abstract:
The looting of Iraq's museums and archaeological sites is an overlooked consequence of the 2003 invasion. The loss of such precious history would be tragic for any nation or culture. As Iraqis struggle to redefine a sense of nationhood after five years of war, they will need to draw on that common heritage to reconstruct their communities. In the words of Donny George Youkhanna, former director general of the Iraq Museum in Baghdad, “The oil will finish one day, but the antiquities will always be there.” The most immediate priorities are to secure Iraq's existing heritage sites, recover stolen artifacts, and develop an infrastructure for their conservation. The question should also be asked: what can be done to prevent such looting in future conflicts?
Topic:
Crime, International Cooperation, International Organization, and Arts
Political Geography:
Iraq, Middle East, and Baghdad