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1. The Art of War: PRC Weaponizes Culture to Galvanize the People

Author:
Arran Hope
Publication Date:
11-2024
Content Type:
Journal Article
Journal:
China Brief
Institution:
The Jamestown Foundation
Abstract:
The Party sees culture as a tool to achieve its strategic ambitions both inside and outside the People’s Republic of China (PRC). Speeches, articles, and conferences portray it as central to achieving national rejuvenation. Party discourse on culture is shot through with militaristic terminology. Not just echoing Mao-era rhetoric, this reflects Beijing’s desire to “engineer souls” in pursuit of a strong nation. Artists, culture workers, and academics are perceived as pawns in a project to present the PRC globally as peaceful and prosperous, but the Party is aware of the deficiencies of its soft power.
Topic:
Arts, Culture, Soft Power, Academia, and Chinese Communist Party (CCP)
Political Geography:
China and Asia

2. A Monumental Relationship: North Korea and Namibia

Author:
Tycho van der Hoog
Publication Date:
03-2023
Content Type:
Special Report
Institution:
East-West Center
Abstract:
Visitors to Windhoek, the capital city of Namibia, will quickly learn a remarkable fact that is well-known among the local population—much of the capital’s architectural landscape is designed and constructed by North Korea. In recent years, North Korean nationals have built the official residence of the president of Namibia, the State House; the national cemetery for the fallen heroes of the liberation struggle, the National Heroes’ Acre; the national history museum, the Independence Memorial Museum; the Ministry of Defense headquarters and other buildings. The Namibian government thus uses North Korean aesthetics for some of the most important aspects of its power: the president, the history, and the army. This analysis explores the relationship between Namibia and North Korea by providing historical and political context to the aforementioned buildings. Today, Namibia often has the reputation of a quaint and sometimes sleepy destination, tucked away in the southwestern corner of the African continent. Yet, Namibia was at the center of geopolitical tensions for most of the twentieth century. The complicated decolonization process of Namibia, or “the Namibian question,” as it became known in the corridors of the United Nations (UN), had its roots in the aftermath of three decades of German occupation between 1884 and 1915. German South West Africa, the area that became modern Namibia, was transferred to South Africa as a League of Nations mandate territory and renamed “South West Africa.” South Africa viewed the territory as an unofficial fifth province and introduced brutal apartheid legislation. Internal opposition against the South African regime resulted in the formation of nationalist organizations, of which the South West Africa People’s Organization (SWAPO) became the most prominent.
Topic:
International Relations, Economics, Politics, Arts, and Culture
Political Geography:
Africa, Asia, North Korea, and Namibia

3. Carving Status at Kŭmgangsan – A Book Talk by Maya Stiller

Author:
Maya Stiller and Seong Uk Kim
Publication Date:
03-2023
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
A 50-minute talk followed by Q and A with Maya Stiller, Associate Professor of Korean Art History & Visual Culture in the Art History Department at the University of Kansas, on Dr. Stiller’s recent book, "Carving Status at Kŭmgangsan," winner of the American Historical Association’s 2021 Patricia Buckley Ebrey Prize. Dr. Stiller’s book focuses particularly on elite graffiti in late Chosŏn Korea (17th to 19th centuries).
Topic:
History, Arts, and Graffiti
Political Geography:
Asia and Korea

4. Photo Poetics: Chinese Lyricism and Modern Media Culture

Author:
Shengqing Wu, Ying Qian, and Alexander Alberro
Publication Date:
03-2022
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world? This event is organized by the Weatherhead East Asian Institute and cosponsored by the Department of East Asian Languages and Cultures, and the Center for Comparative Media, all at Columbia University.
Topic:
Arts, Culture, Media, and Buddhism
Political Geography:
China and Asia

5. The Buddhist Dream Tale: Past and Present

Author:
Francisca Cho and Seong Uk Kim
Publication Date:
03-2022
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Kim Manjung's Kuunmong, or Dream of the Nine Clouds, was written by a scholar-official and he turned to the Buddhist trope that "life is nothing but a dream" in order to express his doubts and disappointment about the Confucian social structure in which he lived. The speaker argues that the dream tale turns the act of fiction writing into a Buddhist philosophical exercise, and she will draw out this argument by considering how the medium of fiction functions in a ritual way. In this vein, she brings the dream tale into the present by considering the experience of cinema as an analogue. This event is cosponsored by the Center for Korean Research and the Weatherhead East Asian Institute.
Topic:
Religion, Arts, Culture, and Literature
Political Geography:
Asia

6. Collecting Tibet: A Roundtable Discussion with Four Curators

Author:
Karl Debreczeny, Elena Pakhoutova, Kurt Behrendt, and Jeff Durham
Publication Date:
05-2021
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
How do curators approach representing Tibetan collections in their respective museums? What are the ways in which they make their collections accessible to the public and their specific audience? What digital initiatives related to Tibetan art and culture these museums offer or plan to develop? The event included individual presentations from each of the curators followed by a discussion. This event was cosponsored by the Weatherhead East Asian Institute, the Modern Tibetan Studies Program at Columbia University and the Rubin Museum of Art.
Topic:
Arts, Culture, and Museums
Political Geography:
Asia and Tibet

7. Mediums and Magical Things: Statues, Paintings, and Masks in Asian Places

Author:
Laurel Kendall, Lesley Sharp, Max Moerman, and Myron L. Cohen
Publication Date:
10-2021
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Paintings, statues, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities and sometimes they are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, and Bali, Indonesia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art market commodities and museum artifacts. The two discussants approach this discussion of animated images from two different but intersecting directions. Max Moerman is a scholar of Japanese religion whose work focuses on visual and material representation. Lesley Sharp is a medical anthropologist with an interest in material culture whose recent work has focused on organ transplants and related questions of “life” and “death.” As moderator, Myron Cohen brings a broad knowledge of East Asian popular religion. The event is organized by the Weatherhead East Asian Institute and cosponsored by the New York Southeast Asia Network.
Topic:
Religion, Arts, Culture, Spirituality, Museums, Magic, and Mediums
Political Geography:
Indonesia, Asia, South Korea, Vietnam, Myanmar, and Bali

8. The Ideal of a Tree: Ju Kelzang on his Life as a Poet

Author:
Ju Kelzang, Pema Bhum, Kristina Dy-Liacco, Palden Gyal, and Eveline Washul
Publication Date:
04-2021
Content Type:
Video
Institution:
Weatherhead East Asian Institute, Columbia University
Abstract:
Tibetan poet Ju Kelzang (a.k.a. Ju Kelsang or 'Ju Skal-bzang or འཇུ་སྐལ་བཟང་། ) from Amdo or the Golok Tibetan Autonomous Prefecture in Qinghai Province, China, reads two of his poems and reflects on his writing practices and philosophy. He also discusses his views on the role of tradition in contemporary Tibetan literature. In Amdo Tibetan dialect, WITH ENGLISH SUBTITLES.
Topic:
Arts, Culture, Literature, and Poetry
Political Geography:
Asia and Tibet

9. The image of Chinese and Japanese Theatre in selected popular and artistic press printed in Poland in 1930s

Author:
Katarzyna Michalewicz
Publication Date:
09-2021
Content Type:
Journal Article
Journal:
Nowa Polityka Wschodnia
Institution:
Faculty of Political Science and International Studies, Nicolaus Copernicus University in Toruń
Abstract:
Journalists who described Oriental theatres usually based their narrative on personal experience. Both specialist, mass and popular press paid particular attention to elements that distinguished Japanese and Chinese theatre from their European counterpart. The length of performance, innovative technical solutions, different acting style were the elements that received most attention. Nonetheless, sometimes it was impossible to explain the origins of those differences. Furthermore, the above-mentioned differences usually spoke against Chinese theatre. It was criticized for different music, moveable stage scenery, exaggerated acting that was hard to understand. Such attitude was the result of lack of understanding of Chinese opera’s conventions. On the other hand, press eagerly commended the richness of Chinese actors’ costumes and ,,shadow puppet theatre”. Moreover, Polish press also stressed that both classical and modern Chinese theatre enjoyed immense popularity among Chinese people. Polish press went easy on theatrical art in Japan depicting differences that were in many cases the same as in Chinese theatre as something neutral, even positive as it gave the play magical touch. Sometimes it was emphasized that Japanese theatre could become a source of inspiration for its European counterpart. It was praised for masks, costumes, moveable stage scenery and music. It is interesting that in the last two instances Chinese theatre was looked down on. Polish press also spoke favourably of puppet theatre and ,,Takarazuka” performances. On the other hand, magazines’ opinions on acting varied.
Topic:
History, Arts, Media, and Theater
Political Geography:
Japan, China, Europe, Asia, and Poland

10. Exchange and Cooperation in Music and Art between the Soviet Union and North Korea (1948–1990)

Author:
Byong-Jo Lee
Publication Date:
11-2021
Content Type:
Commentary and Analysis
Institution:
East Asia Institute (EAI)
Abstract:
Prior to the collapse of the Soviet Union, an extensive number of cultural exchange visits were made between the Soviet Union and North Korea in various fields including the arts. Mutual visits paid by delegates of the respective countries served as an opportunity to introduce cultural techniques and receive training by experts of the other country. In this Research Review, Lee Byong-Jo, Professor at Al-Farabi (Kazakh) National University, explains the exchange of arts between the two countries. While most of them have been made with the intentions of praising the North Korean regime, findings show that there have been exchanges in folk music as well. In addition, research shows that Koryoin artists in Central Asia led cultural exchange between two countries. According to articles on the Lenin Gichi, exchange visits started with the founding of North Korea and persisted until the 1960s. Art groups reflected the sorrow of the Koryoin community, encouraged them to preserve their national identity, and contributed to the development of the arts in both countries.
Topic:
History, Arts, Culture, and Music
Political Geography:
Asia, North Korea, and Soviet Union