1. Orhan Pamuk, translated by Maureen Freely, The Museum of Innocence
- Author:
- Michael McGaha
- Publication Date:
- 03-2010
- Content Type:
- Journal Article
- Journal:
- Insight Turkey
- Institution:
- SETA Foundation for Political, Economic and Social Research
- Abstract:
- One of the most distinctive things about Orhan Pamuk's writing is the playful way he tantalizes his readers by constantly blurring the boundaries between truth and fiction. By having his first-person narrators include many well-known aspects of the novelist's own life in their tales, he keeps us guessing about which parts of the story actually happened and which are imaginary. When he published his first few novels, only people who were personally acquainted with the author or his family could participate in this guessing game. As he has become increasingly famous—and especially since the publication of his memoir Istanbul: Memories and the City—many more of his loyal readers have been drawn in. Not only have his parents, his brother, his grandmother, and even the family servants become familiar figures, but fictional characters from his early novels, such as the wealthy merchant Cevdet Bey and the newspaper columnist Celal Salik turn up with such regularity in later works that they have come to seem equally real. With The Museum of Innocence Pamuk has taken this game to another level. The cover of the novel features a photo of four people parked beside the Bosphorus in a 1956 Chevrolet just like the one described in the novel as belonging to the protagonist's father; two of those people are easily recognizable as Pamuk's parents. A note on the dust jacket attributes the photo to “Ahmet Isikci.” Attentive readers will remember Ahmet as the character personifying the young Orhan Pamuk in his first novel, Cevdet Bey and His Sons.Even weirder is the fact that beginning next summer, if all goes according to plan, you will actually be able to visit the museum supposedly created by Kemal Basmacı, the protagonist of The Museum of Innocence, as a monument to his lost love, Füsun Keskin. That museum will contain many mementoes of Orhan Pamuk's own childhood and youth, such as his tricycle, as well as 4,213 cigarette butts allegedly smoked by Füsun, and many other, equally fascinating objects, such as the ceramic dog that once reposed on a doily on top of her parents' television set. I'm sure you'll agree that this is well worth the price of admission, but if you take your copy of The Museum of Innocence with you, you will get in free.
- Political Geography:
- Istanbul