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Begin New Search Publishing Institution The New School Graduate Program in International Affairs Author Ching-Chane Hwang

1. "The Kitsch of War: Misappropriating Sun Tzu for an American Imperial Hypermasculinity

Author:
L.H.M. Ling and Ching-Chane Hwang
Publication Date:
04-2008
Content Type:
Working Paper
Institution:
The New School Graduate Program in International Affairs
Abstract:
Sun Tzu seems more popular than ever. The Bush Administration attributes its successful invasions of Afghanistan and Iraq to tactics in The Art of War such as “shock and awe” and “decapitation.” However, neither exists in Sun Tzu's manual. More seriously, this misappropriation reinforces an imperial hypermasculinity in US foreign policy given its neoliberal logic of “conversion or discipline” for Self/Other relations. Rival camps of imperial hypermasculinity arise in reaction, thereby rationalizing the US Self's resort to such in the first place. Locking the world into ceaseless rounds of hostility between opposed enemies, we argue, contradicts Sun Tzu's purpose. The Art of War sought to transform, not annihilate, the enemy as mandated by the cosmo-moral, dialectical world order that governed Sun Tzu's time. In misappropriating Sun Tzu, then, the Bush Administration turns The Art of War into mere kitsch.
Topic:
Foreign Policy, War, and Political Theory
Political Geography:
Afghanistan, United States, and Iraq

2. Lust/Caution in IR: Democratising World Politics from Postcolonial Asia

Author:
L.H.M. Ling, Ching-Chane Hwang, and Boyu Chen
Publication Date:
12-2008
Content Type:
Working Paper
Institution:
The New School Graduate Program in International Affairs
Abstract:
International Relations (IR) needs democratising. Currently, IR theorising remains under the hegemony of a singular worldview ('warre of all against all') with a singular logic ('conversion or discipline') for all actors and activities. This top-down, state-centric, and exclusivist approach is fundamentally anti-democratic for a field of inquiry and practice crowded with multiple worlds. The Humanities, we propose, will help to mitigate these totalitarian tendencies by expressing and examining what hegemonic IR cannot but must: that is, a richness of being in global life. We present Ang Lee's 'Lust/Caution' (2007) as an example. If seen as an allegory for Taiwan-China relations, this film shifts attention from the national security state, a defining concern for hegemonic IR, to the trans-national solidarities that bind peoples and societies despite inter-state conflicts, thereby offering a way out of the statist impasse that incarcerates the region. This approach extends beyond recent calls for a 'linguistic' or 'artistic' turn in IR. Culture, we argue, can serve as a method.
Topic:
Democratization, Post Colonialism, International Affairs, and Political Theory
Political Geography:
China, Taiwan, and Asia