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Begin New Search Content Type Journal Article Author Ari Armstrong

11. The Sessions

Author:
Ari Armstrong
Publication Date:
06-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Directed by Ben Lewin. Screenplay by Ben Lewin, based on an article by Mark O'Brien. Starring John Hawkes, Helen Hunt, and William H. Macy. Distributed by Fox Searchlight Pictures. Rated R for strong sexuality including graphic nudity and frank dialogue. Running time: 95 minutes.

12. The DIM Hypothesis: Why the Lights of the West Are Going Out

Author:
Ari Armstrong
Publication Date:
06-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Is the history of Western Civilization "one great blooming, buzzing confusion," to adapt the words of William James? Not according to Leonard Peikoff, Ayn Rand's lifelong student and heir. In his magnum opus, The DIM Hypothesis: Why the Lights of the West Are Going Out, Peikoff persuasively argues that the West's major historical periods have been driven by, and are defined by, their cultures' approach to knowledge and the integration thereof.

13. The Truth about Gun Control

Author:
Ari Armstrong
Publication Date:
06-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Should government further restrict the ability of rights-respecting Americans to buy, own, and carry guns, or should it recognize that ability as a basic right and protect it? David B. Kopel, among the most influential Second Amendment scholars working today, makes a terse but cogent argument for the right to keep and bear arms in his latest book, The Truth about Gun Control.
Topic:
Government
Political Geography:
America

14. After the Welfare State, edited by Tom G. Palmer

Author:
Ari Armstrong
Publication Date:
06-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
The modern welfare state began to take shape in the 1880s in Otto von Bismarck's Germany, and it took off in the United States in the 1930s under Franklin Delano Roosevelt's "New Deal." Now that the welfare state is thoroughly entrenched throughout most of the world, is there any reason to question its existence or any way to eliminate it? There is a reason and a way, and these are the subjects of the essays in After the Welfare State.
Political Geography:
United States and Germany

15. Dr. Josh Umbehr on the Concierge Medicine Revolution

Author:
Ari Armstrong
Publication Date:
10-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Americans are rightly concerned about the rising costs of health care and the monstrosity known as ObamaCare. As patients are looking for better ways to manage their health care, doctors are seeking innovative ways to offer their services. One type of medical practice growing in the marketplace is “concierge medicine,” in which patients pay a doctor or group of doctors a set fee (usually paid annually or monthly) in exchange for a defined package of care.
Political Geography:
America

16. Oz the Great and Powerful

Author:
Ari Armstrong
Publication Date:
10-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Oscar "Oz" Diggs is a charlatan. Although his heroes are Harry Houdini (the great illusionist and escapist) and Thomas Edison, Diggs is neither a great performer nor a great scientist. He scrapes by as part of a traveling circus, passing himself off as a supernaturalist, allegedly raising spirits of the dead. In his off hours, Diggs is a womanizer, pushing away his true love in favor of cheap, short-term "relationships." Oz the Great and Powerful, the story of Diggs, is fundamentally the story of a man in search of self-esteem. Diggs lacks integrity, and so he lacks respect for himself. He allows himself to languish in a career he hates and in a series of unfulfilling relationships. He is basically a lying dirtbag who knows he has poor character-and, at the beginning of the story, he has little desire to improve his character. Early in the film, Diggs says, "I don't want to be a good man, I want to be a great one." Over the course of the story, however, Diggs learns that goodness-strength of moral character-is a precondition both of greatness and of personal happiness. Oz the Great and Powerful, then, explores the interconnections between the moral issue of character and the psychological issue of self-esteem. As he chooses to do the right thing, Diggs holds himself in greater esteem; and, as he learns to trust and value himself, he gains a greater desire and ability to act morally. For a film based on children's books, its theme is remarkably sophisticated. Oz the Great and Powerful serves as a prequel to the classic 1939 film The Wonderful Wizard of Oz. Diggs, escaping the angry boyfriend of one of his conquests by flying away in a hot-air balloon, finds himself in the eye of a tornado. And then he finds that he is not in Kansas anymore . . .

17. Star Trek: The Original Films

Author:
Ari Armstrong
Publication Date:
10-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
With the latest Star Trek film, Star Trek into Darkness, coming out on DVD, now is a good time to recount the virtues of the original films, which date back to 1979 and are worth watching or rewatching, as the case may be. Viewers of the newest film, which includes many of the same characters as the original films but in an altered timeline, will notice numerous interesting parallels to the stories of the originals.Star Trek: The Motion Picture Directed by Robert Wise.Story by Alan Dean Foster.Screenplay by Harold Livingston.Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, and Persis Khambatta.Distributed by Paramount Pictures.Released December 7, 1979.Rated PG for sci-fi action and mild language.Running Time: 132 minutes. Star Trek, the original series, first aired on television from 1966 to 1969. Due to the series's popularity in syndication, as well as the popularity of the 1977 science-fiction films Star Wars and Close Encounters of the Third Kind, Paramount Pictures decided to reinvigorate its major science-fiction property as a film. The result was Star Trek: The Motion Picture. Of all the Trek films, the original fits best in the genre of classic sci-fi. It is also the film with the least physical action. The story involves the crew of the starship Enterprise and its interactions with a strange being from the distant reaches of space, a machine on a quest to join its creator. This gigantic space-faring machine, surrounded by a mysterious cloud, attacks ships it regards as threatening. In an attempt to communicate with the crew of the Enterprise, the machine kidnaps and duplicates a crew member, killing her in the process. With its psychedelic portrayal of the machine's inner being (into which the Enterprise travels) and its jangling soundtrack, this film is rather dated. Thankfully, the performances make the best of the material, and Persis Khambatta creates an especially memorable character as the duplicated crew member. Thematically, the film leaves little to remember it by (although Freudians could have a field day analyzing its portrayal of a machine trying to "merge" with its creator). But the film is good, classic science fiction, and it is a work that will continue attracting the interest of science-fiction fans. Star Trek II: The Wrath of Khan Directed by Nicholas Meyer.Story by Harve Bennett, Jack B. Sowards, and Samuel A. Peeples. Screenplay by Jack B. Sowards and Nicholas Meyer.Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Kirstie Alley, and Ricardo Montalbán.Distributed by Paramount Pictures.Released June 4, 1982.Rated PG for violence and language.Running Time: 113 minutes. In The Wrath of Khan, released in 1982, Ricardo Montalbán-then famous for leading the television series Fantasy Island-creates the most memorable Star Trek villain, Khan Noonien Singh, a maniacal but intelligent man bent on the destruction of James T. Kirk, former captain of the Enterprise and now an admiral in Star Fleet. . . .
Topic:
War

18. Killing Floor

Author:
Ari Armstrong
Publication Date:
10-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
I was arrested in Eno's diner. At twelve o'clock. I was eating eggs and drinking coffee. A late breakfast, not lunch. I was wet and tired after a long walk in heavy rain" (p. 1). This is the scene in which Lee Child introduces the world to Jack Reacher, an American wanderer and former homicide investigator with the military police who manages to get himself into all kinds of trouble, despite his efforts to avoid it. Even with only these opening lines of Killing Floor-Child's first novel, originally published in 1997-we get a sense of Reacher's character. He is a man who likes to get to the point. He narrates in concise statements. He is rarely ruffled, never intimidated. Reacher, tired of his regimented military life-he was born on a military base in 1960 and never left the military until six months before the novel begins-decides to try the freedom of the open road. He wants to go where he pleases, see the country, and not get tied down. His only stable contact is his bank, which wires him cash from his military pension and sends him mail. On a whim, Reacher wanders into Margrave, Georgia, to learn the story of a long-deceased musician called Blind Blake, whom his brother had mentioned to him in a letter. His plan is to look around, get the lowdown on Blind Blake, then hop on a bus and leave. Unfortunately, Reacher wanders into town around the time police discover the bodies of two men, brutally murdered, found near the highway where Reacher got off the bus. Plenty of people saw him walking near the scene of the crime. So, he is arrested for murder. Initially, Reacher's goal is to beat the murder rap and leave town as quickly as possible. Unfortunately for his plans-but fortunately for those seeking justice-Reacher learns that the murders are part of a bigger crime, a crime that, unexpectedly, involves someone he knows. After beating the rap, Reacher decides to stick with the case and help solve it. . . .

19. Sam Harris's Failure to Formulate a Scientific Morality

Author:
Ari Armstrong
Publication Date:
01-2013
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Examines Harris's claims to have grounded his brand of utilitarianism in reality, and finds them wanting.

20. Curt Levey on the Supreme Court and the Presidential Race

Author:
Ari Armstrong
Publication Date:
12-2012
Content Type:
Journal Article
Journal:
The Objective Standard
Institution:
The Objective Standard
Abstract:
Curt Levey is the president of the Committee for Justice, an organization devoted to promoting judicial nominees who uphold the written constitution, as opposed to a “living constitution.” After graduating from Harvard Law School, Levey clerked on the Sixth Circuit Court of Appeals, then worked for the Center for Individual Rights, where he participated in affirmative action cases involving the University of Michigan. Levey worked for the Office for Civil Rights at the Department of Education before joining the Committee for Justice. Recently I had the opportunity to interview Levey about the Supreme Court in the context of the upcoming presidential election. Although I disagree with various aspects of Levey's conservative perspective, I find his comments about the Supreme Court to be insightful.
Topic:
Education and Law