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11. Byzantine Satire: The Background in the Timarion

Author:
Iakovos Menelaou
Publication Date:
07-2017
Content Type:
Journal Article
Journal:
Hiperboreea
Institution:
Balkan History Association
Abstract:
In this paper, I examine the twelfth century Byzantine satire Timarion. I seek to analyse the background of the work, through a focus on the plot and characters, the classical sources that influenced the Byzantine author and the issues of date and authorship which should be seen in relation to the targets of his attack. While there is no certainty about the identity of the author, the Timarion was written, probably, by a learned author who had knowledge of classical authors and medical theories of his era. This is obvious in the way he embodies these traditions in his satire. Similarly to satires of the classical period, the Timarion’s attack is directed at several directions.
Topic:
Literature and Byzantine Empire
Political Geography:
Europe, Asia, and North Africa

12. The Politics of Reading: CCAS's Qatar Postdoctoral Fellow reflects on the uses of literature as a tool for cultural understanding

Author:
Elizabeth Kelley
Publication Date:
04-2016
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
Oh, I just loved The Kite Runner,” people in North America sometimes tell me when I explain what my research is about: the translation and circulation of Arabic novels in English. In these cases, the individuals, who are not usually scholars or students of Arabic or the Arab world, go on to explain how much they enjoyed Khaled Hosseini’s novel, how they felt it helped them to learn about life in Afghanistan and what it was like to grow up there. In some ways, The Kite Runner is quite far from my research topic, given that the novel was written in English, was not translated from any language, and that the author had been living in the United States for decades prior to writing it. Not to mention that Arabic is not the language of Afghanistan, and although it is part of the Muslim world, Afghanistan is not generally considered part of the Arab world. Thus, linking Afghani literature with literature of the Arab world may rely on collapsing regional, linguistic, and cultural differences under the undifferentiated sign of Islam.
Topic:
Research, Literature, Higher Education, and Translation
Political Geography:
Afghanistan, Middle East, and Arab Countries

13. Syrian Scholar Finds Safe Haven at CCAS: A Conversation with Visiting Lecturer Mohammad AlAhmad

Author:
Will Todman, Mohammad AlAhmad, and Dana Dairani
Publication Date:
10-2016
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
On April 22, 2015, CCAS Visiting Lecturer Dr. Mohammad AlAmad and his family left their home and lives in Syria behind. “Human smugglers drove us to the Turkish border,” says AlAhmad, “and then my wife and I carried our two young children, walking through barbed wire and muddy water into Turkey. We were full of trepidation, fear, and the pain of being displaced.” Though AlAhmad left Syria because he had been accepted to participate in the Institute of International Education’s Scholar Rescue Fund, which provides support for threatened scholars and places them with visiting appointments at partner academic institutions, he did not yet know his family’s ultimate destination. Once in Turkey, AlAhmad learned that his appointment would be at Georgetown, starting in August.
Topic:
Authoritarianism, Refugees, Islamic State, Arab Spring, Syrian War, Literature, Revolution, and Higher Education
Political Geography:
Turkey, Middle East, Syria, North America, United States of America, and Raqqa

14. (Re)claiming the Body of the Somali Woman in Nuruddin Farah’s From a Crooked Rib

Author:
Helmi Ben Meriem
Publication Date:
01-2015
Content Type:
Journal Article
Journal:
Bildhaan: An International Journal of Somali Studies
Institution:
Macalester College
Abstract:
Nuruddin Farah was born in 1945 in Baidoa, west of Mogadishu. In 1976, he was declared a persona non grata by the Somali president and dictator Siad Barre, who banished Farah into exile because his writings were seen as a rigorous and harsh critique of Barre, especially four of his early eight novels, which attacked the dictatorship in Somalia. However, Farah’s fiction not only attacks the dictatorship in Somalia, but it also criticizes the country’s most cherished traditions, values, and beliefs. For example, in his first novel From a Crooked Rib (1970), he breaks the homosexuality taboo in Somalia by questioning the inabil- ity to think of sex outside of the paradigm of heterosexuality, and in some of his later novels, he brings in the issues of incest, pedophilia, bestiality, and murder. Farah is one prominent figure of Anglophone literature in Africa, along with Achebe, and Soyinka. He is also con- sidered as the next most likely African Anglophone writer to receive the Nobel Prize in Literature after the Nigerian Wole Soyinka in 1986 and the South African Doris Lessing in 2007. Farah is described, among other things, as the “gift from Africa to contemporary world literature” (Bardolph, “On Nuruddin” 121). Farah’s fiction extends over more than eleven novels and other fictive and non-fictive writings. Most criticism of his fiction focuses mainly on four issues: the writing about Somalia in exile, the intertex- tuality between his fiction and other writers, the poetics of Farah’s fic- tion, and the feminist aspects of his fiction and how it presents a new image of Somalia. Indeed, one of the most interesting readings of Far- ah’s fiction is a gender-based one; the authenticity, with which Farah tackles the issues of womanhood and gender has pushed some of his readers to think of him as a woman, even sending him letters address- ing him as “she.” In this respect, the Nigerian scholar J. I. Okonkwo has argued that Farah is one of few others who have “done the greatest justice to female existence in his writing” (217). In a comparison estab- lished by Okonkwo, Soyinka is seen as depicting women as either a disguised or undisguised prostitute, Achebe depicting women as an appendage to men, and Farah depicting women simply as women, with all the variations and at times contradictions (216). Farah’s feminist attitudes have given him the title of “Africa’s first feminist male writer” by Kirsten Hoist Petersen (249). Indeed, Farah is well aware of his feminist attitudes; he states in his essay “A View of Home From the Outside” that he is interested in those denied their rights, be it women or men, and in the struggle behind it (qtd. in Okonkwo 217). Eventually, the women in Farah’s fiction become instruments to reconstruct Somalia and to reshape society by giving a new meaning to womanhood. In his fiction, women’s struggle for freedom and for the right to voice themselves become an allegory for a nation in search of its voice. New womanhood becomes interchange- able with a new Somalia, and eventually, Somalia becomes once more the mother, as opposed to its status as a father-land in a dictatorial system. His first novel, From a Crooked Rib, seen by Richard Dowden as “a dazzling spark” of light in the dark tunnel of silencing women (Intro- duction, vii), could be regarded as a feminist manifesto. If we were to describe this novel, we would resort to a line from “The Rights of Women” a poem by Anna Laetitia Barbauld: “Injured Woman! Rise, assert thy right” (28). From a Crooked Rib is a third person omniscient narrative about the story of Ebla, a Somali woman defying her society and escaping her family, who were forcing her into an arranged mar- riage. This novel, with its genuine depiction and voicing of oppressed women, has been widely read and acclaimed, and studied as an authentic representation of the Somali society. This paper aims at read- ing From a Crooked Rib from a Foucauldian perspective in order to highlight the forces that shape the lives of Somali women. The empha- sis will be on the relationship between the discourses used to contain the Somali woman and her body. We will try to set a link between the different discourses and the body within the dialectics of writing/(un) writing and silencing/voicing. Thus, this paper is divided into two major parts: first, a concise overview of the Foucauldian approach to discourse and power, and second, an examination of the different discourses that govern the body of the Somali woman. The second part will root the Foucauldian approach in a gender-related reading and will be divided into two sub-parts: the writing and the un-writing of the woman body.
Topic:
Gender Issues, Women, Literature, and Sexuality
Political Geography:
Africa and Somalia