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11. Lens on Palestine: Speed Sisters discussion with Rhana Natour

Author:
Rhana Natour
Publication Date:
06-2018
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
The Middle East Institute's Arts and Culture program is proud to present a documentary series highlighting the voices of Palestinian women in collaboration with Filmlab: Palestine and the Foundation for Middle East Peace. Directed by Amber Fares, Speed Sisters is a documentary follows the first all-female Palestinian car racing team and explores the social issues surrounding their career. The film was followed by a conversation with assistant producer Rhana Natour.
Topic:
Gender Issues, Women, Sports, and Film
Political Geography:
Middle East and Palestine

12. Reshaping Dominant Narratives through Film

Author:
Isabel Roemer
Publication Date:
12-2018
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies
Abstract:
Three MAAS grads share how careers in documentary filmmaking have enabled them to give voice to untold stories and reshape dominant narratives.
Topic:
Arts, Culture, Film, and Higher Education
Political Geography:
Middle East, Arab Countries, and United States of America

13. Time to Yell “Cut?” An Evaluation of the California Film and Production Tax Credit for the Motion Picture Industry

Author:
Michael Thom
Publication Date:
01-2018
Content Type:
Journal Article
Journal:
California Journal of Politics and Policy
Institution:
Institute of Governmental Studies, UC Berkeley
Abstract:
Enacted in 2009, California’s Film and Production Tax Credit was a policy reaction to fears that the state had lost motion picture industry jobs to other states and countries. The incentive has since been allocated over $1 billion in taxpayer funding. Advocates hail the tax credit as a success, but is there evidence to support that claim? This study examines motion picture industry employment in California from 1991 through 2016 to determine the impact of the Film and Production Tax Credit and competing incentives offered by other governments. Results show the tax credit had no significant effect on changes in three occupational categories associated with the motion picture industry. Employment was similarly unaffected by competing incentives. Motion picture industry employment in California instead appears to track the national labor market. These findings were robust to several alternative measures and model specifications and advise that California policymakers should eliminate the Film and Production Tax Credit as soon as possible.
Topic:
Governance, Culture, Budget, Film, and Economic Policy
Political Geography:
United States and California

14. JUDGING 'PRIVILEGED' JEWS Holocaust Ethics, Representation, and the 'Grey Zone'

Author:
Adam Brown
Publication Date:
01-2018
Content Type:
Book
Institution:
Berghahn Books
Abstract:
The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.
Topic:
Mass Media, Film, Holocaust, World War II, and Anti-Semitism
Political Geography:
United States, Europe, California, Germany, and Central Europe

15. A Foreign Affair: Billy Wilder's American Films

Author:
Gerd Gemünden
Publication Date:
01-2018
Content Type:
Book
Institution:
Berghahn Books
Abstract:
With six Academy Awards, four entries on the American Film Institute’s list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
Topic:
Immigration, Media, Film, and Material Culture
Political Geography:
United States, Europe, California, Germany, and Central Europe

16. Exploring the Image of Muslims in India

Author:
Salma Umber, Muhammad Junaid Ghauri, and Hassan Nawaz
Publication Date:
07-2018
Content Type:
Journal Article
Journal:
South Asian Studies
Institution:
Department of Political Science, University of the Punjab
Abstract:
Indian film industry is one of the biggest film industries in the world which produces highest number of movies every year. Indian media and film industry overwhelmingly link Islam and Muslims with terrorism. Especially since 9/11 attacks, the Bollywood have portrayed the Muslims in stereotypically negative way. After the 9/11 incident, Muslims have been constructed as distrustful people, terrorists, and antagonists. The study at hand was set out to identify the overall dimension and nature of portrayal of Indian Muslims in the Bollywood. For the purpose the researcher opted convenient sampling as a tool of data collection and quantitative content analysis along with SPSS was used as data analysis technique. Bollywood movies, released during the year 2016 with Muslims as prominent characters in it, were selected as ample to be studied. The results indicated that majority of the movie contents contained negative and stereotypical image of Indian Muslims. Overall findings evidenced that the Muslims were assigned non-patriotic and antagonistic characters more than the patriotic and protagonist characters.
Topic:
Islam, Mass Media, Media, Film, Representation, and 9/11
Political Geography:
Pakistan, South Asia, India, and Punjab

17. USIA Films that failed in Africa

Author:
Bob Baker
Publication Date:
11-2018
Content Type:
Journal Article
Journal:
American Diplomacy
Institution:
American Diplomacy
Abstract:
While many films made by the US Information Agency (USIA) were very useful in Africa to tell about American society and policies, two were not. These two, one about President Kennedy and the other about American agriculture, had the opposite result from that intended. Local African culture distorted the films’ messages.
Topic:
Diplomacy, Film, Soft Power, and Memoir
Political Geography:
Uganda, Africa, North America, and United States of America

18. The Hero’s Wife: The Depiction of Female Holocaust Survivors in Israeli Cinema Prior to the Eichmann Trial and in its Aftermath

Author:
Liat Steir-Livny
Publication Date:
01-2018
Content Type:
Journal Article
Journal:
Polish Political Science Yearbook
Institution:
Polish Political Science Association (PPSA)
Abstract:
Israeli culture in the 1940s and 1950s was dominated by ideological consider- ations. Zionist films, as other aspects of Eretz-Israel and Israeli culture, distinctively propa- gated Zionist ideas. As a consequence of their sociopolitical focus, these films neglected the complexities of the relationship between Holocaust survivors and the native Jews in Eretz- Israel. Instead, Holocaust survivors were reduced to a homogeneous entity that bore distinct negative connotations. Films depicted female Holocaust survivors as mentally unstable, unfit mothers, and often played up negative sexual stereotypes. In these films, the women were “cured” or went through a process of “purification” thanks to the Zionist establishment. Historical research often cites the trial of Adolf Eichmann (1961) as being a turning point in the Israeli public’s perception of the Holocaust, and its representation in Israeli culture. This article will focus on an analysis of the film The Hero’s Wife (Peter Frye, 1963) that was produced in the aftermath of the trial. It will discuss the innovative representations of this unresearched film, and will seek to answer the questions of why, and in what way, its narra- tive comprises a subversive antithesis to the narrative shaped by Zionist fiction films made prior to the Eichmann trial.
Topic:
Culture, Media, Film, Zionism, Holocaust, Psychology, and Stereotypes
Political Geography:
Middle East and Israel

19. Exception Taken: How France Has Defied Hollywood's New World Order

Author:
Jonathan Buchsbaum
Publication Date:
01-2017
Content Type:
Book
Institution:
Columbia University Press
Abstract:
In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
Topic:
Film
Political Geography:
France
Publication Identifier:
9780231543071
Publication Identifier Type:
ISBN

20. Reform Cinema in Iran: Film and Political Change in the Islamic Republic

Author:
Blake Atwood
Publication Date:
11-2016
Content Type:
Book
Institution:
Columbia University Press
Abstract:
It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.
Topic:
Film
Political Geography:
Iran
Publication Identifier:
9780231543149
Publication Identifier Type:
ISBN