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1. MENA Music and More!

Author:
Danny Hajjar and Fadi Nicholas Nassar
Publication Date:
01-2023
Content Type:
Video
Institution:
Middle East Institute (MEI)
Abstract:
On today's episode, Middle East Focus kicks off the new year with Danny Hajjar, whose newsletter Sa'alouni El Nas brings diverse music and perspectives from the MENA region to inboxes worldwide. Interviewing Danny is Fadi Nicholas Nassar, U.S.-Lebanon Fellow at the Middle East Institute, Director of the Institute for Social Justice and Conflict Resolution, and Assistant Professor of Political Science and International Affairs at the Lebanese American University (LAU).
Topic:
Arts, Culture, and Music
Political Geography:
Middle East and North Africa

2. Music as weapon: Heroic lyrical epics as tools in the PKK’s struggle

Author:
Moustafa Mohammad
Publication Date:
09-2023
Content Type:
Working Paper
Institution:
Clingendael Netherlands Institute of International Relations
Abstract:
Long-form narrative songs of the genre ‘heroic lyrical epics’ have helped preserve Kurdish history and culture. They also represent a repertoire of ideals, values and inspiration to resist injustice and exclusion. The PKK has tapped into this rich musical history from its early days and used heroic lyrical epics to spread the party’s ideology, broadcast its struggle with Turkey, facilitate recruitment and create an archive to preserve the names of its foremost fighters. Moreover, the PKK has both popularized and professionalized heroic lyrical epics. By acting as a new patron for such music – in addition to the customary notables and village ‘dîwanxane’ (meeting places) – the PKK helped make heroic lyrical epics more accessible to Kurdish publics. By creating its own modern music industry (e.g. artists, studios, re-introducing past folklore elements, publishing houses), the PKK also aligned heroic lyrical epics with the spirit of modern times and the tastes of today’s youth. Professionalization especially took flight in northeastern Syria after 2011. Logically, the PKK’s motivations are less socio-cultural in nature than that they are centered on maintaining public support in its fight against Turkey.
Topic:
Culture, Kurds, Music, and PKK
Political Geography:
Turkey, Middle East, and Syria

3. Urban Politics in the Middle East

Author:
Mona Harb, Marc Lynch, Jillian Schwedler, Gehad Abaza, and Munqeth Othman
Publication Date:
10-2023
Content Type:
Research Paper
Institution:
Project on Middle East Political Science (POMEPS)
Abstract:
Urban politics has received growing attention in the anthropology, sociology, and political science of the MENA region. In line with global trends, questions of scale, territory, flows and connectivities and materialities have come to the fore, with a wide range of creative and novel lines of inquiry connecting the global to the hyper-local and every scale in between. In February 2023, POMEPS partnered with the Beirut Urban Lab at the American University of Beirut and The Policy Initiative think tank for a workshop in Beirut to bring together an interdisciplinary group of young scholars from across the region to explore questions of urban life, politics, and culture. The papers moved beyond more traditional political science topics such as municipal government, decentralization, clientelistic voting, protests, and clientelism. While those themes certainly operated in the background, the authors assembled in Beirut pushed to shift the lens towards multi-scalar ethnographic modes of inquiry, highlighting the materialities and relationalities of the hyper-local, examining sites and places which concentrate power dynamics.
Topic:
Economics, Migration, Politics, Race, Religion, Sectarianism, Culture, Syrian War, Mobility, Urban, Trade, Music, Transportation, Cities, Heritage, Resistance, Labor Market, Domestic Work, and Urbicide
Political Geography:
Iraq, Iran, Middle East, Tehran, Baghdad, Algeria, North Africa, Lebanon, Syria, Egypt, Jordan, Tunisia, Beirut, Cairo, Tunis, and Aqaba

4. Resistance and Counter-Memories in Persian Black Metal

Author:
Pasqualina Eckerstrom
Publication Date:
03-2023
Content Type:
Journal Article
Journal:
Harvard Journal of Middle Eastern Politics and Policy
Institution:
The John F. Kennedy School of Government at Harvard University
Abstract:
Sina Winter, a pioneer of Iranian black metal, was forced to leave Iran because of his music. As the leader of the band From the Vastland, Sina has produced music celebrating the pre-Islamic heritage and Zoroastrian tales. After performing at the Inferno Music Festival in Oslo in 2013 and appearing in the documentary Blackhearts (2017), he was forced to relocate. The Islamic Revolutionary Guard Corps (IRGC), targeted him as a result of his media exposure. In Iran, several artists are persecuted due to their music. In the West, black metal bands tend to be influenced by ancient legends and traditions, whereas in religious authoritarian countries, such practices are often harshly punished. In Iran, black metal is generally considered to be blasphemous. In addition, the lyrical content featured in Sina’s work is controversial, as he celebrates a heritage that the Islamic Republic wishes to eradicate from the collective consciousness. This paper presents some results of my most recent studies looking at how black metal artists in Iran use their art to preserve their ancient heritage and defy social norms.
Topic:
Culture, Social Movement, Music, and Resistance
Political Geography:
Iran and Middle East

5. Musical Diplomacy: The Eurovision Song Contest in Tel Aviv

Author:
Dean Vuletic
Publication Date:
03-2019
Content Type:
Special Report
Institution:
Georgetown Journal of International Affairs
Abstract:
After winning the 2018 Eurovision Song Contest (ESC) with her song “Toy” (inspired by the #MeToo movement), Netta Barzilai issued the declaration, “Next year in Jerusalem!” By using the traditional Jewish phrase, she was suggesting that the 2019 ESC would be held in that city.
Topic:
Diplomacy, Culture, and Music
Political Geography:
Europe, Middle East, and Israel

6. The Daydreams of Polyphony: From The Music Revolution to The Birth of Turkish Popular Culture

Author:
Poyraz Kolluoğlu
Publication Date:
07-2019
Content Type:
Journal Article
Journal:
AURUM Journal of Social Sciences
Institution:
Altinbas University
Abstract:
The Turkish Cultural Revolution has been a steady of debate and controversy for scholars coming from different disciplines of social science since the founding elites attempted to build the new secular society upon a disintegrating cosmopolitan empire in 1923. One of the off shoots of this modernization project championed by a group of elite soldiers under the leadership of Atatürk was the so-called Turkish music revolution. In this paper, I am defining the imagination of a nation and its cultural modular forms in an underdeveloped oriental milieu as that of Turkey as daydreaming because I would argue that the so-called music revolution of this total cultural fabrication throughout the 1930s, 1940s resulted in confusion, feelings of anxiety, artistic and cultural volatility, and, thereby, paved the way for an opportunity to navigate in a space between the Occident and the Orient spatio-temporality in parallel to ethno-racist discourses.
Topic:
Nationalism, Culture, Music, Modernity, Cultural Revolution, and Occidentalism
Political Geography:
Turkey, Middle East, and Mediterranean

7. For the Love of Music

Author:
Isabel Roemer
Publication Date:
12-2018
Content Type:
Special Report
Institution:
Center for Contemporary Arab Studies (CCAS)
Abstract:
MAAS alum combines language skills, industry savvy, and a bit of “wasta” to bring Arab musicians to Washington audiences. In 2003, MAAS alum David Chambers (‘88) received a call from the family of the late Munir Bashir, the celebrated Iraqi musician widely regarded as “King of Oud.” Chambers had spent much of the 1990s in the entertainment industry in the Arab world—notably, for the Showtime Arabia satellite TV network. Now back in Washington, D.C., he faced a challenge: how to arrange a gig for Omar Bashir, Munir’s son, in the nation’s capital?
Topic:
History, Culture, Higher Education, and Music
Political Geography:
Iraq, Middle East, North America, Washington, and D.C.

8. FEMALE STEREOTYPES IN LEBANESE CONTEMPORARY SONGS: A CASE STUDY OF TEN SONGS

Author:
Roy Jreijiry
Publication Date:
06-2017
Content Type:
Journal Article
Journal:
Alternative Politics
Institution:
Department of International Relations, Abant Izzet Baysal University, Turkey
Abstract:
Many studies have shown that popular music is a dynamic medium in the construction of personal and social identities. This study analyses the image of women in ten Lebanese songs produced between 2010 and 2014; each song ranked as big hits. Typical of contemporary popular songs, these songs do not accord to the woman the value of an equal partner of the man. While rarely mentioning the ideas of sharing, exchanging, or reciprocity, they circulate many stereotypes such as the threatened/beaten woman, the housewife won through presents and flattery, the woman under the care of a man, and the woman as an owned and sexual object.
Topic:
Gender Issues, Culture, Women, Feminism, and Music
Political Geography:
Middle East, Lebanon, and Beirut

9. THE SYRIAN MUSICIANS IN ISTANBUL: THE RELATIONSHIP BETWEEN REPERTOIRE AND STAGE

Author:
Hussain hajj
Publication Date:
10-2016
Content Type:
Journal Article
Journal:
Alternative Politics
Institution:
Department of International Relations, Abant Izzet Baysal University, Turkey
Abstract:
This article aims to present some notes and findings about the fieldwork that I conducted in Istanbul with Syrian musicians in 2015. The main questions of the research were the identity of the Syrian musicians and the status of Syrian music and musicians in Istanbul. In this article I will first present some details about the musical institutions in Syria and the problems related to “being a musician” and studying music in the era of Al-Baath party ruling. I will add some notes about the Kurdish musicians in Syria. The second section is about Syrian musicians in Istanbul. I will discuss how far they can communicate among each other and with musicians from Turkey, and what are the messages that they try to spread through their music. For this aim, I analyze some musical activities that took place in Istanbul, such as the concerts of the Syrian community, as well as the relationship with the Turkish music of the Syrian alternative media in Turkey. Then, I discuss whether Turkey is seen as a temporary or permanent station by Syrian musicians. Lastly, I will analyze two musical activities and their repertoire that took place in two different stages to show the diversity of Syrian community in Istanbul. Keywords: Syrian refugees, ethnomusicology, musicians, cultural diversit
Topic:
Diaspora, Culture, Refugees, and Music
Political Geography:
Europe, Turkey, Middle East, Asia, and Istanbul

10. Viral Voices: Revolutionary Song, Social Media, and Youth Culture in the Arab Spring

Author:
Victor A. Vicente
Publication Date:
12-2013
Content Type:
Journal Article
Journal:
Bilgi
Institution:
Sakarya University (SAU)
Abstract:
Focusing on three popular “anthems” of the Arab Revolutions (“Rais Lebled” by El Général, “#Jan25 Egypt” by Omar Offendum, and “Yalla Erhal Ya Bashar” by “Ibrahim Qashoush”) this article critically assesses the ways in which song has come to serve as a force for instigating socio-political and cultural change in the contemporary Arab World, particularly in Tunisia, Egypt, and Syria. The appeal and efficacy of these songs of the “Arab Spring,” as well as their characterization as “revolutionary,” are understood in aesthetic and technological terms. Hence, the article untangles a complex of interconnected, musically-related themes and issues at the core of the discourse on the recent uprisings; namely, those of self-expression and the power of the Arab youth “voice,” those of transitional dissemination via social media and information and communication technology, and those of documentation and representation through music, specifically through the genre of rap. Analysis of the songs and the themes surrounding them demonstrates substantive advancements in contemporary Arab musical, social, and political life, but also exposes serious shortcomings, naïve misconceptions, and willful exaggerations.
Topic:
Culture, Social Media, Arab Spring, Revolution, and Music
Political Geography:
Africa, Middle East, Syria, Tunisia, and Egypt