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2. Diplomacy and the Art of Storytelling
- Author:
- Isabel Roemer
- Publication Date:
- 05-2019
- Content Type:
- Special Report
- Institution:
- Center for Contemporary Arab Studies
- Abstract:
- A MAAS grad’s work at the intersection of diplomacy and cinematic arts is shaping American narratives and empowering storytellers around the globe. When people think about the tools of diplomatic engagement, narrative storytelling is not one that usually comes to mind. But for Rachel Gandin Mark, Program Director of the American Film Showcase (ASF)—the State Department’s film, television, and digital diplomacy program —the two go hand-in-hand. “I love thinking about how to incorporate entertainment, particularly story and character, into specific foreign policy strategies,” says Gandin Mark, who graduated from MAAS in 2003. “Some of our country’s biggest diplomatic challenges today stem from conflicting global narratives. Film and TV, when produced with authenticity and nuance, have the potential to complicate narratives and reveal a shared human experience.”
- Topic:
- Diplomacy, Culture, Media, and Film
- Political Geography:
- Middle East, North America, and United States of America
3. Lens on Palestine: Stitching Palestine discussion with Nusayba Hammad
- Author:
- Nusayba Hammad
- Publication Date:
- 07-2018
- Content Type:
- Video
- Institution:
- Middle East Institute (MEI)
- Abstract:
- The Middle East Institute's Arts and Culture program is proud to present a documentary series highlighting the voices of Palestinian women in collaboration with Filmlab: Palestine. Twelve resilient, determined and articulate Palestinian women speak about their lives, memories and identities before their exile. Their narratives are connected by the enduring thread of the Palestinian tradition of embroidery, directed by Carol Mansour. A conversation with Nusayba Hammad, managing director of the D.C. Palestinian Film and Arts Festival, on Emwas and Stitching Palestine followed the screening.
- Topic:
- Arts, Women, Film, and Material Culture
- Political Geography:
- Middle East, Palestine, and United States of America
4. Lens on Palestine: The Judge discussion with Lama Abu-Odeh
- Author:
- Lama Abu-Odeh
- Publication Date:
- 06-2018
- Content Type:
- Video
- Institution:
- Middle East Institute (MEI)
- Abstract:
- The Middle East Institute's Arts and Culture program is proud to present a documentary series highlighting the voices of Palestinian women in collaboration with Filmlab: Palestine and the Foundation for Middle East Peace, Directed by Erika Cohn, The Judge chronicles the struggle of Kholoud Al-Faqih, who became the first woman judge to be appointed to the Middle East's Shari'a (Islamic law) courts.The film was followed by a conversation with Lama Abu-Odeh.
- Topic:
- Islam, Women, Film, and Courts
- Political Geography:
- Middle East and Palestine
5. Lens on Palestine: Speed Sisters discussion with Rhana Natour
- Author:
- Rhana Natour
- Publication Date:
- 06-2018
- Content Type:
- Video
- Institution:
- Middle East Institute (MEI)
- Abstract:
- The Middle East Institute's Arts and Culture program is proud to present a documentary series highlighting the voices of Palestinian women in collaboration with Filmlab: Palestine and the Foundation for Middle East Peace. Directed by Amber Fares, Speed Sisters is a documentary follows the first all-female Palestinian car racing team and explores the social issues surrounding their career. The film was followed by a conversation with assistant producer Rhana Natour.
- Topic:
- Gender Issues, Women, Sports, and Film
- Political Geography:
- Middle East and Palestine
6. Reshaping Dominant Narratives through Film
- Author:
- Isabel Roemer
- Publication Date:
- 12-2018
- Content Type:
- Special Report
- Institution:
- Center for Contemporary Arab Studies
- Abstract:
- Three MAAS grads share how careers in documentary filmmaking have enabled them to give voice to untold stories and reshape dominant narratives.
- Topic:
- Arts, Culture, Film, and Higher Education
- Political Geography:
- Middle East, Arab Countries, and United States of America
7. The Hero’s Wife: The Depiction of Female Holocaust Survivors in Israeli Cinema Prior to the Eichmann Trial and in its Aftermath
- Author:
- Liat Steir-Livny
- Publication Date:
- 01-2018
- Content Type:
- Journal Article
- Journal:
- Polish Political Science Yearbook
- Institution:
- Polish Political Science Association (PPSA)
- Abstract:
- Israeli culture in the 1940s and 1950s was dominated by ideological consider- ations. Zionist films, as other aspects of Eretz-Israel and Israeli culture, distinctively propa- gated Zionist ideas. As a consequence of their sociopolitical focus, these films neglected the complexities of the relationship between Holocaust survivors and the native Jews in Eretz- Israel. Instead, Holocaust survivors were reduced to a homogeneous entity that bore distinct negative connotations. Films depicted female Holocaust survivors as mentally unstable, unfit mothers, and often played up negative sexual stereotypes. In these films, the women were “cured” or went through a process of “purification” thanks to the Zionist establishment. Historical research often cites the trial of Adolf Eichmann (1961) as being a turning point in the Israeli public’s perception of the Holocaust, and its representation in Israeli culture. This article will focus on an analysis of the film The Hero’s Wife (Peter Frye, 1963) that was produced in the aftermath of the trial. It will discuss the innovative representations of this unresearched film, and will seek to answer the questions of why, and in what way, its narra- tive comprises a subversive antithesis to the narrative shaped by Zionist fiction films made prior to the Eichmann trial.
- Topic:
- Culture, Media, Film, Zionism, Holocaust, Psychology, and Stereotypes
- Political Geography:
- Middle East and Israel