Political Geography: Havana / Topic: Government

Author:: David Tebaldi
Publication Date:: 03-2014
Content Type:: Journal Article
Journal:: Americas Quarterly
Institution:: Council of the Americas
Abstract:: One hot afternoon during a visit to Cuba in March 2000, a traveling companion and I hopped into a tricycle cab for a ride from the Hotel Nacional to Old Havana. The young man pedaling the cab overheard us talking and turned his head to ask, “Canadian?” “No, somos Americanos,” I responded. His face lit up. “Every day when I wake up,” he blurted out, “I dream of going to America.” Orlando, whose name has been changed for this article, was in his early 30s. An ophthalmologist by training, he was pedaling a cab because he could not support his wife and three-year-old daughter on his government salary of $20 a month. We hadn't gotten very far when we were pulled over by a policeman. He walked Orlando some distance away from us and after several minutes of what looked like tense conversation, Orlando returned to inform us that he had broken the law by taking foreigners in his pedal cab, which was only for Cuban nationals. Only government-owned taxis were allowed to pick up tourists.
Topic:: Government
Political Geography:: United States, Ukraine, and Havana

Author:: Olivia Crellin
Publication Date:: 04-2014
Content Type:: Journal Article
Journal:: Americas Quarterly
Institution:: Council of the Americas
Abstract:: In October 1988, a national plebiscite to extend the military rule of then-Chilean President Augusto Pinochet was voted down by 56 percent of the electorate. This transformational event has been re-imagined 24 years later in a film named after the “No” coalition of 16 political parties that led the opposition campaign.No is the third and final work in a cinematic depiction of the period of Pinochet's rule (1973–1989) by Chilean director Pablo Larraín, 36. The first two were Tony Manero (2008) and Post Mortem (2010). The 110-minute film, starring Mexican actor Gael García Bernal, is based on Plebiscito, an unproduced play by Chilean novelist Antonio Skármeta about René Saavedra, a young advertising executive who spearheaded the “No” campaign and managed to outflank the pro-Pinochet forces, who were outspending the opposition 30-to-1, with a shrewd messaging strategy that mobilized almost 4 million supporters.
Topic:: Government
Political Geography:: Uruguay, Chile, and Havana

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