71. Revisiting Gaza Ghetto
- Author:
- Shifaa Alsairafi
- Publication Date:
- 06-2024
- Content Type:
- Working Paper
- Institution:
- Center for Contemporary Arab Studies (CCAS)
- Abstract:
- Gathering for Alarba’een, a day of remembrance when mourners come together on the 40th day after the death of a loved one or prominent figure, is a common practice in much of the Arab world. The 40th anniversary of the groundbreaking film Gaza Ghetto: Portrait of a Palestinian Family, 1948-84, which was co-directed by CCAS Professor Joan Mandell and was the first documentary produced about Gaza, was accompanied by a similarly solemn tone—not only because the neighborhoods depicted in the film have been destroyed since the documentary was released in 1984 but also because the situation in Gaza has grown exponentially worse in recent decades. Gaza Ghetto is set in Jabalia, which—along with the entire Gaza Strip—came under Israeli occupation following the 1967 war, and by the 1980s had become home to the largest refugee camp in the occupied Palestinian territories. Mandell and her co-directors chose Jabalia as the primary site for the documentary not only because of its size and historical importance, but also because of her familiarity with many intellectuals and artists living there who could narrate their story. “Jabalia had a vibrant life of arts and activism, and many people who wanted to share it,” recalls Mandell. Although the film includes interviews with many Jabalia residents, its producers decided to center the story around an individual family so that they could document daily life under occupation. They ultimately selected the family of Abu el-Adel because of the family’s openness and ability to articulate their own experiences as part of a collective story. Indeed, the personal stories narrated by Abu el-Adel, his daughter Itidhal and son-in-law Mustafa, were representative of the tragedies facing thousands of Palestinians and the mass dispossession forced upon them by the Israeli state. Mandell recalls that Itidhal and her daughter Ra’ida—both strong female figures—were a major reason she was drawn to portray this family. The film opens with Itidhal confronting the Israeli settlers who live in a town that displaced her father’s village and includes scenes of Itidhal caring for her six children while husband Mustafa works the nightshift, as well as sharing the story of how her mother died in childbirth when Israeli soldiers would not allow an ambulance to reach her during a camp lockdown.
- Topic:
- Human Rights, History, Film, Atrocities, and Documentary
- Political Geography:
- Middle East, Israel, Palestine, Gaza, and Jabalia