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1. An Overview of the African Peacebuilding Network’s (APN’s) Contribution to African Peacebuilding Literature

Author:
Godwin Onuoha
Publication Date:
05-2023
Content Type:
Working Paper
Institution:
Social Science Research Council
Abstract:
This working paper surveys, documents, and analyzes the contributions of APN scholars to the knowledge and practice of peacebuilding in Africa against the background of the 10th year anniversary of the APN program. It takes stock of the contributions and impact of the literature produced by APN scholars, particularly how these have brought different interdisciplinary perspectives and novel methodological approaches to bear on African peacebuilding. The paper systematically analyzes African perspectives on peacebuilding, debates between different schools of thought, provides an overview of different publications by APN scholars, and synthesizes the significance of these contributions to discourses on African and global literature on peacebuilding. As part of a broader intellectual project, the publications demonstrate how APN scholars have forged a nexus at which one can explore conflict, peacebuilding, media, gender, youth, boundaries and borderlands, land grabs, migration and refugees, faith-based initiatives, local/ communal cultures, identities, and COVID-19, among other topics. The publications under review transcend the narrow confines of the literature to engage in the complexities and multidimensional nature and contexts of African peacebuilding. In this regard, the publications mainstream African agency and views, particularly in the production of African knowledge in the field of peacebuilding.
Topic:
Conflict, Literature, Peacebuilding, and Transdisciplinarity
Political Geography:
Africa

2. Representations of Power in Mayombe: “Men Will Be Prisoners of the Structures They Will Have Created”

Author:
Carolina Bezerra Machado
Publication Date:
06-2020
Content Type:
Journal Article
Journal:
Brazilian Journal of African Studies
Institution:
Brazilian Journal of African Studies
Abstract:
The novel Mayombe, in which the character “Milagre” assumes the first person of the narrative, is fundamental to rethink the process of creating the state in Angola, based on the internal political disputes that still occurred during the colonial period and that extended into post-independence. The controversies about Angolan nationalism and identity were woven from different interests among the groups that disputed political power, which in their way, supported on the disqualification of others, proclaimed themselves as genuinely Angolan. The policy of favoritism, based on privileges for the closest ones, cases of corruption, ideological differences, and regional disputes that will characterize post-independence in Angola, were also already present in the anti-colonial struggle, despite of there seeming to be plenty of time available to fix them and maintain the dream of a more egalitarian and democratic society. Written during the guerrilla war, but published only in 1980, a period in which there was a political discourse of national mobilization, from the defense of the construction of a “New Man”, the book also brings an enriching debate about the ethnic and racial fissures that existed within the Popular Movement for the Liberation of Angola (MPLA, in portuguese), as well as in Angolan society. As the proposal here is to address the power relations and micro-powers that have been built between the state and the Angolan society in the post-independence through the reading of Mayombe, it is valid to return to these issues. It is noted how much ethnic and racial tensions remained in the political arena after the country’s independence and contributed, in a significant way, to the political structuring of Angola, guided by the MPLA, which sought to detach itself from these debates, diminishing them and treating them on the margins. After all, the tension surrounding this discourse contributed to the political escalation among nationalist movements and to the mobilization for civil war, which is inseparable from the process of formation of the post-colonial Angolan state.
Topic:
Nationalism, Post Colonialism, Emerging States, and Literature
Political Geography:
Africa, Brazil, and Angola

3. (Re)claiming the Body of the Somali Woman in Nuruddin Farah’s From a Crooked Rib

Author:
Helmi Ben Meriem
Publication Date:
01-2015
Content Type:
Journal Article
Journal:
Bildhaan: An International Journal of Somali Studies
Institution:
Macalester College
Abstract:
Nuruddin Farah was born in 1945 in Baidoa, west of Mogadishu. In 1976, he was declared a persona non grata by the Somali president and dictator Siad Barre, who banished Farah into exile because his writings were seen as a rigorous and harsh critique of Barre, especially four of his early eight novels, which attacked the dictatorship in Somalia. However, Farah’s fiction not only attacks the dictatorship in Somalia, but it also criticizes the country’s most cherished traditions, values, and beliefs. For example, in his first novel From a Crooked Rib (1970), he breaks the homosexuality taboo in Somalia by questioning the inabil- ity to think of sex outside of the paradigm of heterosexuality, and in some of his later novels, he brings in the issues of incest, pedophilia, bestiality, and murder. Farah is one prominent figure of Anglophone literature in Africa, along with Achebe, and Soyinka. He is also con- sidered as the next most likely African Anglophone writer to receive the Nobel Prize in Literature after the Nigerian Wole Soyinka in 1986 and the South African Doris Lessing in 2007. Farah is described, among other things, as the “gift from Africa to contemporary world literature” (Bardolph, “On Nuruddin” 121). Farah’s fiction extends over more than eleven novels and other fictive and non-fictive writings. Most criticism of his fiction focuses mainly on four issues: the writing about Somalia in exile, the intertex- tuality between his fiction and other writers, the poetics of Farah’s fic- tion, and the feminist aspects of his fiction and how it presents a new image of Somalia. Indeed, one of the most interesting readings of Far- ah’s fiction is a gender-based one; the authenticity, with which Farah tackles the issues of womanhood and gender has pushed some of his readers to think of him as a woman, even sending him letters address- ing him as “she.” In this respect, the Nigerian scholar J. I. Okonkwo has argued that Farah is one of few others who have “done the greatest justice to female existence in his writing” (217). In a comparison estab- lished by Okonkwo, Soyinka is seen as depicting women as either a disguised or undisguised prostitute, Achebe depicting women as an appendage to men, and Farah depicting women simply as women, with all the variations and at times contradictions (216). Farah’s feminist attitudes have given him the title of “Africa’s first feminist male writer” by Kirsten Hoist Petersen (249). Indeed, Farah is well aware of his feminist attitudes; he states in his essay “A View of Home From the Outside” that he is interested in those denied their rights, be it women or men, and in the struggle behind it (qtd. in Okonkwo 217). Eventually, the women in Farah’s fiction become instruments to reconstruct Somalia and to reshape society by giving a new meaning to womanhood. In his fiction, women’s struggle for freedom and for the right to voice themselves become an allegory for a nation in search of its voice. New womanhood becomes interchange- able with a new Somalia, and eventually, Somalia becomes once more the mother, as opposed to its status as a father-land in a dictatorial system. His first novel, From a Crooked Rib, seen by Richard Dowden as “a dazzling spark” of light in the dark tunnel of silencing women (Intro- duction, vii), could be regarded as a feminist manifesto. If we were to describe this novel, we would resort to a line from “The Rights of Women” a poem by Anna Laetitia Barbauld: “Injured Woman! Rise, assert thy right” (28). From a Crooked Rib is a third person omniscient narrative about the story of Ebla, a Somali woman defying her society and escaping her family, who were forcing her into an arranged mar- riage. This novel, with its genuine depiction and voicing of oppressed women, has been widely read and acclaimed, and studied as an authentic representation of the Somali society. This paper aims at read- ing From a Crooked Rib from a Foucauldian perspective in order to highlight the forces that shape the lives of Somali women. The empha- sis will be on the relationship between the discourses used to contain the Somali woman and her body. We will try to set a link between the different discourses and the body within the dialectics of writing/(un) writing and silencing/voicing. Thus, this paper is divided into two major parts: first, a concise overview of the Foucauldian approach to discourse and power, and second, an examination of the different discourses that govern the body of the Somali woman. The second part will root the Foucauldian approach in a gender-related reading and will be divided into two sub-parts: the writing and the un-writing of the woman body.
Topic:
Gender Issues, Women, Literature, and Sexuality
Political Geography:
Africa and Somalia

4. Thinking About Return Migration to Africa: Theories, Praxes, General Tendencies & African Particularities

Author:
Mojúbàolú Olufúnké Okome
Publication Date:
06-2014
Content Type:
Research Paper
Institution:
Ìrìnkèrindò: a Journal of African Migration
Abstract:
The simplest definition of return migration construes it as the move back from a place of sojourn to a place of origin by a migrant who then settles down. But return could be temporary or permanent. It could be volitional or compelled. There could also be secondary and repeat migration. Regardless of the contemporary worldwide concern about the meanings, implications, significance and consequences of return migration, return migration is yet to be subjected to as much scholarly research as other aspects of the migration phenomenon. Eborka in this volume rightfully points out that the gap in scholarly knowledge on this subject is even more profound in the case of Africa, and there is a dearth of statistics, as Essien, Setrana and Tonah indicate. Through her analysis of Chimamanda Ngozi Adichie’s Americanah, Idowu-Faith also alerts us to the theoretical contributions of literary exploration of migration and especially return migration. This volume on return migration to Africa therefore contributes to discourses and research on the subject and in doing so, also contributes significantly to filling the gap in scholarly knowledge.
Topic:
Migration and Literature
Political Geography:
Africa

5. Fictionalizing Theory, Theorizing Fiction: The Stylistics of Return Migration in Chimamanda Adichie's Americanah

Author:
Bimbola Oluwafunlola Idowu-Faith
Publication Date:
06-2014
Content Type:
Research Paper
Institution:
Ìrìnkèrindò: a Journal of African Migration
Abstract:
This paper is a stylistic investigation of Americanah (2013) Chimamanda Ngozi Adichie’s latest novel. Whereas Americanah is the melting pot where love and romance collide and comingle with hair politics and the shifting meanings of skin color, Adichie employs migration as the window through which these issues are projected. Beyond Adichie’s juxtaposition of binary migratory terms of “Americanah” and “American” and her protagonist’s choice of the former, the novelist’s preoccupation is to critically engage international migration theories, and to chart a new migration story, where return migration is the quintessential closure.
Topic:
Migration, International Affairs, Literature, and Novels
Political Geography:
Africa

6. "Afie ni Afie" (Home is Home): Revisiting Reverse Trans-Antlantic Journeys to Ghana and the Paradox Return

Author:
Kwame Essien
Publication Date:
06-2014
Content Type:
Research Paper
Institution:
Ìrìnkèrindò: a Journal of African Migration
Abstract:
This article traces different waves of reverse migrations to the Gold Coast, now Ghana, which began in the early nineteenth century. The article explores external motivations for pursuing these journeys and factors internal to Ghanaian history that facilitated reverse migrations. Both contributed to the contradictions of return and the paradox of freedom or the illusion that their physical presence in Ghana would fulfil their fantasy. Part of the article chronicles the stories of individuals, family groups, and the transatlantic communities they created: Brazilian-Africans (Tabom), Caribbean Africans and American-Africans. The article focuses on themes of slavery, emancipation, abolition, reverse migrations and Pan-African activities in Ghana. This article maintains that literature on reverse migrations should extend beyond the narrow focus of the New World back to Africa. I assert that there are other reverse migratory paths from West Africa to Brazil (after liberated Brazilian-Africans settled in Africa in the early 1800s) and between Nigeria and Ghana that have been overlooked by scholars in their study of reverse migrations to Ghana and West Africa in general. In the end, this article shows similarities in reverse migrations and shared cultural kinship as members of the returnee communities in Lagos-Nigeria (the Aguda) and Accra-Ghana (the Tabom) crisscrossed the West African Atlantic and created various identities.
Topic:
Migration, Slavery, and Literature
Political Geography:
Africa, Nigeria, and Ghana

7. Diary of an American Woman: First Part of a Three-Part Story Called This Africa in my Dream

Author:
Chinyere G. Okafor
Publication Date:
06-2014
Content Type:
Research Paper
Institution:
Ìrìnkèrindò: a Journal of African Migration
Abstract:
The Structural Adjustment Program (SAP) was adopted in Nigeria after unsustainable foreign indebtedness caused grave economic crisis, which spun off political and social turmoil. Its adoption in 1986 by the Babangida military regime, was pushed by the World Bank and International Monetary Fund (IMF), as the only viable solution to Nigeria’s problems. Rather than provide relief, the adoption of SAP imposed extreme neoliberal austerity policies that pushed many middle class families into poverty, causing some to migrate both within the country and abroad. “Diary of an American Woman” is the story of three characters, Ola, Love, and Fakar. The story presents an account of three migrations: internal migration within Nigeria, external migration to America, and patrilocal movement from parental to marital abodes. Ola keeps a journal about her immigrant experience in America, which unfortunately is lost with her luggage in Nigeria. Fakar discovers the journal in his workplace and begins to read it. Ola’s immigrant experience in America as recalled in her diary reveals the underbelly of life of a Nigerian in America to the hotel janitor.
Topic:
Debt, International Political Economy, World Bank, Military Affairs, Literature, and IMF
Political Geography:
Africa and Nigeria