Search

Begin New Search Topic Literature Political Geography Africa

1. Representations of Power in Mayombe: “Men Will Be Prisoners of the Structures They Will Have Created”

Author:
Carolina Bezerra Machado
Publication Date:
06-2020
Content Type:
Journal Article
Journal:
Brazilian Journal of African Studies
Institution:
Brazilian Journal of African Studies
Abstract:
The novel Mayombe, in which the character “Milagre” assumes the first person of the narrative, is fundamental to rethink the process of creating the state in Angola, based on the internal political disputes that still occurred during the colonial period and that extended into post-independence. The controversies about Angolan nationalism and identity were woven from different interests among the groups that disputed political power, which in their way, supported on the disqualification of others, proclaimed themselves as genuinely Angolan. The policy of favoritism, based on privileges for the closest ones, cases of corruption, ideological differences, and regional disputes that will characterize post-independence in Angola, were also already present in the anti-colonial struggle, despite of there seeming to be plenty of time available to fix them and maintain the dream of a more egalitarian and democratic society. Written during the guerrilla war, but published only in 1980, a period in which there was a political discourse of national mobilization, from the defense of the construction of a “New Man”, the book also brings an enriching debate about the ethnic and racial fissures that existed within the Popular Movement for the Liberation of Angola (MPLA, in portuguese), as well as in Angolan society. As the proposal here is to address the power relations and micro-powers that have been built between the state and the Angolan society in the post-independence through the reading of Mayombe, it is valid to return to these issues. It is noted how much ethnic and racial tensions remained in the political arena after the country’s independence and contributed, in a significant way, to the political structuring of Angola, guided by the MPLA, which sought to detach itself from these debates, diminishing them and treating them on the margins. After all, the tension surrounding this discourse contributed to the political escalation among nationalist movements and to the mobilization for civil war, which is inseparable from the process of formation of the post-colonial Angolan state.
Topic:
Nationalism, Post Colonialism, Emerging States, and Literature
Political Geography:
Africa, Brazil, and Angola

2. (Re)claiming the Body of the Somali Woman in Nuruddin Farah’s From a Crooked Rib

Author:
Helmi Ben Meriem
Publication Date:
01-2015
Content Type:
Journal Article
Journal:
Bildhaan: An International Journal of Somali Studies
Institution:
Macalester College
Abstract:
Nuruddin Farah was born in 1945 in Baidoa, west of Mogadishu. In 1976, he was declared a persona non grata by the Somali president and dictator Siad Barre, who banished Farah into exile because his writings were seen as a rigorous and harsh critique of Barre, especially four of his early eight novels, which attacked the dictatorship in Somalia. However, Farah’s fiction not only attacks the dictatorship in Somalia, but it also criticizes the country’s most cherished traditions, values, and beliefs. For example, in his first novel From a Crooked Rib (1970), he breaks the homosexuality taboo in Somalia by questioning the inabil- ity to think of sex outside of the paradigm of heterosexuality, and in some of his later novels, he brings in the issues of incest, pedophilia, bestiality, and murder. Farah is one prominent figure of Anglophone literature in Africa, along with Achebe, and Soyinka. He is also con- sidered as the next most likely African Anglophone writer to receive the Nobel Prize in Literature after the Nigerian Wole Soyinka in 1986 and the South African Doris Lessing in 2007. Farah is described, among other things, as the “gift from Africa to contemporary world literature” (Bardolph, “On Nuruddin” 121). Farah’s fiction extends over more than eleven novels and other fictive and non-fictive writings. Most criticism of his fiction focuses mainly on four issues: the writing about Somalia in exile, the intertex- tuality between his fiction and other writers, the poetics of Farah’s fic- tion, and the feminist aspects of his fiction and how it presents a new image of Somalia. Indeed, one of the most interesting readings of Far- ah’s fiction is a gender-based one; the authenticity, with which Farah tackles the issues of womanhood and gender has pushed some of his readers to think of him as a woman, even sending him letters address- ing him as “she.” In this respect, the Nigerian scholar J. I. Okonkwo has argued that Farah is one of few others who have “done the greatest justice to female existence in his writing” (217). In a comparison estab- lished by Okonkwo, Soyinka is seen as depicting women as either a disguised or undisguised prostitute, Achebe depicting women as an appendage to men, and Farah depicting women simply as women, with all the variations and at times contradictions (216). Farah’s feminist attitudes have given him the title of “Africa’s first feminist male writer” by Kirsten Hoist Petersen (249). Indeed, Farah is well aware of his feminist attitudes; he states in his essay “A View of Home From the Outside” that he is interested in those denied their rights, be it women or men, and in the struggle behind it (qtd. in Okonkwo 217). Eventually, the women in Farah’s fiction become instruments to reconstruct Somalia and to reshape society by giving a new meaning to womanhood. In his fiction, women’s struggle for freedom and for the right to voice themselves become an allegory for a nation in search of its voice. New womanhood becomes interchange- able with a new Somalia, and eventually, Somalia becomes once more the mother, as opposed to its status as a father-land in a dictatorial system. His first novel, From a Crooked Rib, seen by Richard Dowden as “a dazzling spark” of light in the dark tunnel of silencing women (Intro- duction, vii), could be regarded as a feminist manifesto. If we were to describe this novel, we would resort to a line from “The Rights of Women” a poem by Anna Laetitia Barbauld: “Injured Woman! Rise, assert thy right” (28). From a Crooked Rib is a third person omniscient narrative about the story of Ebla, a Somali woman defying her society and escaping her family, who were forcing her into an arranged mar- riage. This novel, with its genuine depiction and voicing of oppressed women, has been widely read and acclaimed, and studied as an authentic representation of the Somali society. This paper aims at read- ing From a Crooked Rib from a Foucauldian perspective in order to highlight the forces that shape the lives of Somali women. The empha- sis will be on the relationship between the discourses used to contain the Somali woman and her body. We will try to set a link between the different discourses and the body within the dialectics of writing/(un) writing and silencing/voicing. Thus, this paper is divided into two major parts: first, a concise overview of the Foucauldian approach to discourse and power, and second, an examination of the different discourses that govern the body of the Somali woman. The second part will root the Foucauldian approach in a gender-related reading and will be divided into two sub-parts: the writing and the un-writing of the woman body.
Topic:
Gender Issues, Women, Literature, and Sexuality
Political Geography:
Africa and Somalia